F.I. Tyutchev is a poet who looks tragically and philosophically at the fatal vicissitudes of life. His thoughts occupy social topics, love and nature, which he not only describes in a romantic way, but animates. We will analyze the poem "Noon". Tyutchev wrote it in 1829, when he lived in Munich and was already secretly married to his first wife. Their life then was full of peace - “Noon” breathes with the same feeling.
Midday landscape
A summer day appears before us in all its beauty. Nature, tired of the heat, lazily rests; not a single movement is conveyed in this miniature. She is enveloped in a “hot drowsiness.” What do we see when analyzing the poem “Noon”? Tyutchev included, as he loved during these years, in two last lines antique motifs: the great Pan, who sleeps in the cave of the nymphs. Pan represents the soul of nature.
The Hellenes believed that at noon a person, all deities and nature were overcome by peace. What does the analysis of the poem “Noon” show? Tyutchev combined their states with the word “lazy”, using it three times, which adds poignancy to the statement. The afternoon breathes lazily, just as the river rolls and the clouds melt. Pan, calmly dozing in Arcadia in the cool cave of the nymphs, creates a special mood: with him, after games, fun, and work, everything fell asleep.
Theme of the poem
What does the analysis of the poem “Noon” say? Tyutchev made the theme of the image of the southern landscape on the Adriatic. K. Bryullov’s painting “Italian Afternoon” quickly appears before my eyes and, oddly enough, a Russian village - in the still hot air everything froze and was filled with languor.
Nature is eternal and allows itself to be lazy; according to our human standards, it has no limit either in time or in space. Tyutchev indirectly described eternity and infinity in his miniature. Noon, the idea of which is unshakable peace, became sacred to the shepherds of Hellas, who were afraid to disturb Pan's rest.
Artistic media
The poem consists of two quatrains, which are written in iambic tetrameter. The rhyme is simple and easy to hear and learn - enveloping.
The poet’s nature is spiritualized and animated. The inversion and metaphor “noon breathes” brings the breath of nature itself into the poem. In the first quatrain, inversions occur in every line: “the river rolls,” “the clouds melt.” In addition, strikingly accurate epithets are used to depict heat. His midday is hazy, the azure is fiery and clear, his slumber is hot. The epithet “lazy” reveals the essence of this time of day.
F.I. Tyutchev reveals midday as a state of sleepy drowsiness with amazing expressiveness. Here again the metaphor “like fog” is used: all nature has been taken over by drowsiness. The hazy Tyutchev afternoon allows you to see the hot summer air, above which a hot haze hangs. At the same time, he saturates the poem with verbs that describe the state of a hot day: breathes, rolls, melts, embraces.
Tyutchev's early work
In the period of the 20-30s of the 19th century, F. Tyutchev’s poetry was colored with romantic notes. The whole world is alive and animated for him. At this time he was interested in the natural philosophy of F. Schelling. At the same time, F. Tyutchev became closer to the Slavophiles, who recognized the aesthetic views and romantic metaphysics of German literature.
The poet was most interested in the issues of the relationship between man and nature, man and the cosmos, the spiritualization of the Universe, and the concept of the world soul. We encounter echoes of his interests when analyzing the poem “Noon”. Tyutchev, having created a picture of a hot day, made it completely alive. For him, both the river and sky blue, and clouds floating on it, and hot drowsiness. His poetry organically fuses the forms of European romanticism and Russian lyricism.
"Noon" Fyodor Tyutchev
The hazy afternoon lazily breathes;
The river rolls lazily;
And in the fiery and pure firmament
The clouds are lazily melting.And all nature, like fog,
A hot drowsiness envelops;
And now the great Pan himself
In the cave the nymphs are sleeping peacefully.
Analysis of Tyutchev’s poem “Noon”
Landscape lyrics are the most known part creativity of Tyutchev. "Afternoon" is a short sketch written between 1827 and 1830. The work clearly refers readers to ancient Greek culture. At the end of the poem, Pan appears - god wildlife, shepherding, fertility, cattle breeding. According to mythology, his place of residence is the magnificent valleys and groves of Arcadia. There he spent his time having fun surrounded by nymphs. At noon, tired of the fun, the god went to rest. All of nature fell asleep with him. Therefore, in Tyutchev’s poem “the great Pan is calmly dozing in the cave of the nymphs.” By the way, the ancient Greeks considered the calm that occurred in the middle of the day to be sacred; not a single shepherd dared to disturb it. In the miniature “Noon” by Tyutchev, ancient Greek mythology is organically intertwined with the image of Russian nature. This interesting and strange feature Andrei Bely also noted.
For Tyutchev's landscape lyrics, the animation of nature was extremely important. And the point here is not only in the use of personifications, which is generally characteristic of almost any poetry. Fyodor Ivanovich sincerely considered nature to be spiritual. In the poem under consideration, this is emphasized by a number of phrases - “noon breathes,” “the river rolls,” “the clouds are melting.” Moreover, a single adverb is added to each verb - “lazy”. Tyutchev’s attitude towards nature is perfectly expressed in his later poem “Not what you think, nature...” (1836). In this work, the poet claims that she has soul, freedom, love, language.
“Noon” is a surprisingly accurate and succinct sketch. In just two quatrains, Fyodor Ivanovich manages to convey to the reader the atmosphere of a stuffy afternoon, when you don’t want to do anything, when the best pastime is dozing. Pan in the poem is characterized by the definition of “great,” but his image is devoid of a “literary” flavor. There is even a kind of intimacy. One gets the feeling that Tyutchev personally caught the ancient Greek god taking his midday rest.
In the article “Russian minor poets” of 1850, he highly appreciates the landscape lyrics of Fyodor Ivanovich. In his opinion, the key advantage of Tyutchev’s poems is a lively, graceful, plastically faithful depiction of nature. Nekrasov cites “Noon” as one example.
Nature has always been present in Tyutchev’s works. Even in poems that raise a different topic, be it philosophical or love, the author still obsessively touched on the theme of nature in comparisons, as a background, using metaphors... But in most of these poems, Tyutchev was attracted by the turning points in the existence of nature: the time when one season of the year replaces the other, when the dawn rises, when the first evening glare appears in the sky. In these moments he saw something special: they seemed to be repeated every day, but at the same time, each time they were special, unlike what happened yesterday and what will happen in the future.
Same turning point Over time, Tyutchev’s poem “Noon” is also dedicated. Exact time The creation of the work is not known, but based on the signatures made by the author and the manner of writing, the poem is usually attributed to the period of the poet’s work from 1927 to 1930.
The poem, quite small in size, refers the reader to ancient Greek mythology: the name of the god Pan and nymphs are mentioned in the work. Pan is the god of wild nature and fertility, he spent all his time in the company of nymphs. Nymphs are spirits of nature, beautiful maidens who lived in trees in forests, near springs and in mountain caves. While Pan was having fun with the nymphs, everything in nature grew, blossomed, and matured. As soon as Pan fell asleep, nature fell asleep too.
In Tyutchev's poem mythology Ancient Greece organically connected with the description of Russian nature. Nature is shown to be alive, it “breathes”. The technique of personification is characteristic of Tyutchev’s landscape lyrics. IN this work this is emphasized by a number of personifications, practically coming one after another - “noon breathes,” “the river rolls,” “clouds are melting.” And for each action one adverb is added - “lazy”, hinting at the tranquility of the landscape with its apparent transience.
“Noon” is a very accurate and significant sketch. In just two quatrains, Tyutchev managed to convey to the reader the atmosphere of a hot afternoon, when you no longer want to do anything, when you just want to lie down and relax. Little poem filled with intimacy, ease and beauty, which makes you read it more than once.
Compositionally, the poem describes a sleepy midday landscape, and in the final two lines there is a mention of Pan, the ancient Greek deity of valleys and forests, as the personification of the soul of nature. The ancient Greeks believed that at noon, the sacred hour, all living things were at peace. The generality of the state of rest of various natural objects(rivers, clouds) is conveyed in the poem using the lexeme “lazy”: the clouds are melting lazily, the afternoon is breathing lazily, the river is lazily rolling. Drowsiness, as a state of rest, embraces all of nature and the mythological personification of its soul - Pan. Tyutchev calmly introduces the ancient Greek mythical deities - Pan and nymphs - into Russian nature, thereby emphasizing the unity and harmony of the entire surrounding world.
True to his pantheistic views, Tyutchev describes nature as a spiritualized and animate whole. The poet uses the technique of personification (“noon breathes,” “the river rolls lazily”), and also with the help of metaphor (“noon breathes”) introduces into the poem a breathing motif characteristic of a living organism.
The short poem, consisting of two stanza-quatrains, is written in iambic tetrameter with a two-syllable foot with stress on the second syllable. The poet used cross rhyme to write “Noon”.
The sultry harmony of nature is depicted using expressive means: metaphors (“noon breathes”), comparisons (“And all nature, like fog// A hot slumber envelops”), epithets (“hazy midday”, “fiery and pure firmament”, “hot slumber”), inversion (“rolls river”, “the clouds are melting”, “noon is breathing”), anaphora (“The hazy afternoon is lazily breathing // The river is rolling lazily”).
A distinctive feature of a stunningly capacious miniature is amazing accuracy and the expressiveness of the epithets used. As an artist, Tyutchev has that special visual acuity that allows him to create a three-dimensional image of a natural phenomenon with the help of unexpected and apt epithets. The epithet “lazy” reveals the most essential feature of the sultry middle of the day: “clouds melt lazily,” “noon breathes lazily,” “the river rolls lazily.” The epithet “hazy afternoon” amazingly accurately conveys the picture of hot summer air, in which some kind of haze hangs, haze.
Although the miniature describes the state of nature's sleepy slumber, the poem is paradoxically saturated with verbs of the state (breathing, dozing, melting, rolling).
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F.I. Tyutchev is a poet-philosopher who reflected in his work his own attitude towards the world, the universe, believing that everything that exists on Earth and in Space is controlled by a powerful creative force called World Soul. Nature, according to Tyutchev, is part of this world, the brightest, most harmoniously built.
The theme of the poem is an image of a southern landscape on a hot afternoon somewhere on the shores of the Adriatic. I remember Karl Bryullov’s painting “Italian Afternoon”. There is a similarity of themes: heat, languor in the still air, natural abundance. Why can nature allow itself to be “lazy”? Because it is eternal, there is no limit to it in time, and its strength is inexhaustible. This idea reflects the problems of the poem.
Pan, the deity of forests and fields, is the personification of an ever-living, renewing nature and at the same time part of it.
That is why the poem by F.I. Tyutchev’s “Noon” is an example of not only landscape, but also philosophical lyrics.
What is it like lyrical hero poems? This is, of course, a thinker close to the poet’s own worldview. He is surrounded by the depicted landscape and, as an outside observer, outside it.
The description of the silent, sun-drenched landscape is given in even, calm colors - to match the mood diffused in nature. The pathos of the poem is calm contemplation of the grandiose picture of the universe and reflections on it (here “pathos” is a feeling).
The landscape described in the poem is real, visible, familiar. It contains a system of images of the poem: noon, heat, slow waters rivers, lazily melting clouds and a completely natural image appearing against this background ancient deity, personifying nature, - Pana.
But why does nature live so slowly and lazily? Why aren’t her quests, passions, and human pains disturbing her? A.S. Pushkin wrote about the purpose of “indifferent” nature - to “shine with eternal beauty.”
The adverb “lazy”, repeated more than once in the poem, conveys this state of immobility, indifference and peace.
The poem is written in iambic bimeter. Female and male rhymes alternate. Cross rhyme. Her definition is also accurate. The number of identical sounds, vowels and consonants, in rhyming words is maximum.
The poem contains sentences with in reverse order words, inversion. The author ensures that the word sounds more vivid, it is more logically emphasized.
The repeated sounds m, n, r, n (one group), as well as t, d, b (the second group), give the lines a soft sound to the ear and are an example of alliteration.
Before us is a small masterpiece of Tyutchev’s philosophical lyrics, reflecting the “landscape of the soul” of the lyrical hero.
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“Noon” F. Tyutchev
And all nature, like fog,
A hot drowsiness envelops;
And now the great Pan himself
In the cave the nymphs are sleeping peacefully.
Analysis of Tyutchev’s poem “Noon”
Landscape lyrics are the most famous part of Tyutchev’s work. "Afternoon" is a short sketch written between 1827 and 1830. The work clearly refers readers to ancient Greek culture. At the end of the poem, Pan appears - the god of wild nature, shepherding, fertility, and cattle breeding. According to mythology, his place of residence is the magnificent valleys and groves of Arcadia. There he spent his time having fun surrounded by nymphs. At noon, tired of the fun, the god went to rest. All of nature fell asleep with him. Therefore, in Tyutchev’s poem “the great Pan is calmly dozing in the cave of the nymphs.” By the way, the ancient Greeks considered the calm that occurred in the middle of the day to be sacred; not a single shepherd dared to disturb it. In the miniature “Noon” by Tyutchev, ancient Greek mythology is organically intertwined with the image of Russian nature. This interesting and strange feature was noticed by Andrei Bely.
For Tyutchev's landscape lyrics, the animation of nature was extremely important. And the point here is not only in the use of personifications, which is generally characteristic of almost any poetry. Fyodor Ivanovich sincerely considered nature to be spiritual. In the poem under consideration, this is emphasized by a number of phrases - “noon breathes,” “the river rolls,” “the clouds are melting.” Moreover, a single adverb is added to each verb - “lazy”. Tyutchev’s attitude towards nature is perfectly expressed in his later poem “Not what you think, nature...” (1836). In this work, the poet claims that she has soul, freedom, love, language.
“Noon” is a surprisingly accurate and succinct sketch. In just two quatrains, Fyodor Ivanovich manages to convey to the reader the atmosphere of a stuffy afternoon, when you don’t want to do anything, when the best pastime is dozing. Pan in the poem is characterized by the definition of “great,” but his image is devoid of a “literary” flavor. There is even a kind of intimacy. One gets the feeling that Tyutchev personally caught the ancient Greek god taking his midday rest.
Nikolai Nekrasov, in his article “Russian minor poets” of 1850, highly appreciates Fyodor Ivanovich’s landscape lyrics. In his opinion, the key advantage of Tyutchev’s poems is a lively, graceful, plastically faithful depiction of nature. Nekrasov cites “Noon” as one example.
“Noon”, analysis of Tyutchev’s poem
The poem “Noon,” written in the late 1820s, between 1827 and 1830, dates back to the Munich period of F. Tyutchev’s work. It was first published in 1836 in the Sovremennik magazine.
The poem “Noon” is included in Tyutchev’s daytime lyrics. The poet glorifies the beauty of the day in it, approaching ancient ideas about nature. In miniature relating to landscape lyrics, depicts a picture of a roast summer day, when the sky is hot, and nature and man, tired of the sun, rest, indulging in a “hot nap.”
Compositionally The poem describes a sleepy midday landscape, and in the final two lines there is a mention of Pan, the ancient Greek deity of valleys and forests, as the personification of the soul of nature. The ancient Greeks believed that at noon, the sacred hour, all living things were at peace. The generality of the state of rest of various natural objects ( rivers, clouds) is conveyed in the poem using the lexeme "lazy". The clouds are melting lazily, the afternoon is breathing lazily, the river is lazily rolling.. Drowsiness, as a state of rest, embraces all of nature and the mythological personification of its soul - Pan. Tyutchev calmly introduces the ancient Greek mythical deities - Pan and nymphs - into Russian nature, thereby emphasizing the unity and harmony of the entire surrounding world.
True to his pantheistic views, Tyutchev describes nature as a spiritualized and animate whole. The poet uses the technique personifications ("noon breathes". "The river rolls lazily"), and also using metaphors ("noon breathes") introduces into the poem a breathing motif characteristic of a living organism.
A short poem, consisting of two stanzas-quatrains, written iambic tetrameter with a two-syllable foot with stress on the second syllable. The poet used cross rhyme to write “Noon”.
The sultry harmony of nature is depicted using expressive means. metaphors ("noon breathes"), comparisons ( “And all of nature, like fog // A hot drowsiness embraces”), epithets ("hazy afternoon". "fiery and pure firmament". "hot nap"), inversions ("the river rolls". "the clouds are melting". "noon breathes"), anaphora (“The hazy afternoon lazily breathes // The river lazily rolls”).
A distinctive feature of this stunningly capacious miniature is the amazing precision and expressiveness of the epithets used. As an artist, Tyutchev has that special visual acuity that allows him to create a three-dimensional image of a natural phenomenon with the help of unexpected and apt epithets. Epithet "lazy" reveals the most significant feature of the sultry midday: “The clouds are lazily melting”. "midday breathes lazily". "The river rolls lazily". Epithet "hazy afternoon" It amazingly accurately conveys the picture of hot summer air, in which some kind of haze hangs, haze.
Although the miniature describes the state of nature's sleepy slumber, the poem is paradoxically rich verbs of state (breathes, dozes, melts, rolls).
The poem "Noon" emphasizing the harmony of all natural phenomena, perfectly illustrates Tyutchev’s mythology of nature.
Listen to Tyutchev's poem Midday
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Picture for the essay analysis of the poem Noon
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The poem “Noon,” written in the late 1820s, between 1827 and 1830, dates back to the Munich period of F. Tyutchev’s work. It was first published in 1836 in the Sovremennik magazine.
The poem “Noon” is included in Tyutchev’s daytime lyrics. The poet glorifies the beauty of the day in it, approaching ancient ideas about nature. The miniature, related to landscape poetry, depicts a picture of a hot summer day, when the sky is hot, and nature and man, tired of the sun, are resting, indulging in a “hot nap.”
Compositionally The poem describes a sleepy midday landscape, and in the final two lines there is a mention of Pan, the ancient Greek deity of valleys and forests, as the personification of the soul of nature. The ancient Greeks believed that at noon, the sacred hour, all living things were at peace. The generality of the state of rest of various natural objects ( rivers, clouds) is conveyed in the poem using the lexeme "lazy": The clouds are melting lazily, the afternoon is breathing lazily, the river is lazily rolling.. Drowsiness, as a state of rest, embraces all of nature and the mythological personification of its soul - Pan. Tyutchev calmly introduces the ancient Greek mythical deities - Pan and nymphs - into Russian nature, thereby emphasizing the unity and harmony of the entire surrounding world.
True to his pantheistic views, Tyutchev describes nature as a spiritualized and animate whole. The poet uses the technique personifications ("noon breathes", "The river rolls lazily"), and also using metaphors ("noon breathes") introduces into the poem a breathing motif characteristic of a living organism.
A short poem, consisting of two stanzas-quatrains, written iambic tetrameter with a two-syllable foot with stress on the second syllable. The poet used cross rhyme to write “Noon”.
The sultry harmony of nature is depicted using expressive means: metaphors ("noon breathes"), comparisons ( “And all of nature, like fog // A hot drowsiness embraces”), epithets ("hazy afternoon", "fiery and pure firmament", "hot nap"), inversions ("the river rolls", "the clouds are melting", "noon breathes"), anaphora (“The hazy afternoon lazily breathes // The river lazily rolls”).
A distinctive feature of this stunningly capacious miniature is the amazing precision and expressiveness of the epithets used. As an artist, Tyutchev has that special visual acuity that allows him to create a three-dimensional image of a natural phenomenon with the help of unexpected and apt epithets. Epithet "lazy" reveals the most significant feature of the sultry midday: “The clouds are lazily melting”, "midday breathes lazily", "The river rolls lazily". Epithet "hazy afternoon" It amazingly accurately conveys the picture of hot summer air, in which some kind of haze hangs, haze.
Although the miniature describes the state of nature's sleepy slumber, the poem is paradoxically rich verbs of state (breathes, dozes, melts, rolls).
The poem “Noon,” emphasizing the harmony of all natural phenomena, perfectly illustrates Tyutchev’s mythology of nature.
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