"Star" ("Shine, shine, distant star") "STAR"(“Shine, shine, distant star”), early verse. L. (1830); the first of the variations on the “distant star” theme. Wed. “Jewish Melody” (“I sometimes saw how night star") and "Star" ("Above there is one / A star is burning"). Poem. written in the genre-style manner of L.'s early meditative-landscape lyrics (cf. “Thunderstorm”). Center. the image of a distant “night star” and the poetic words evoked by it. associations - the motive of the illusory nature of past love - echo the verse. J. Byron “Sun of the sleepless”, 1815 from the cycle “Jewish Melodies”. However, L. in in this case does not translate or even imitate Byron, but creates a unique and independent theme on his theme. variation. In verse. L. arises, in particular, the motive of “weak” hope and joy, absent from Byron: “Your weak beam, fighting the darkness, / Brings dreams to my sick soul.” Autograph - IRLI, notebook. VI. For the first time - Op. edited by Viskovaty, vol. 1, p. 91. Dated according to position in the notebook.
Lit.: Peisakhovich(1), p. 423.
L. M. Arinshtein Lermontov Encyclopedia / USSR Academy of Sciences. Institute rus. lit. (Pushkin. House); Scientific-ed. Council of the publishing house "Sov. Encycl."; Ch. ed. Manuilov V. A., Editorial Board: Andronikov I. L., Bazanov V. G., Bushmin A. S., Vatsuro V. E., Zhdanov V. V., Khrapchenko M. B. - M.: Sov. Encycl., 1981
See what “Star” (“Shine, shine, distant star”) is in other dictionaries:
- “STAR” (“Alone at the top”), verse. early Leningrad (1830 or 1831). Apparently, the latest of three variations on the theme of “distant star”; Wed “Star” (“Shine, shine, distant star”) and “Jewish Melody” (“I sometimes saw it like a night star”), in... ... Lermontov Encyclopedia
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GLOW, glow, glow, imperfect. 1. Emit an even, gentle light. “The moon glows dimly in the twilight of the fog.” Zhukovsky. “Shine, shine, distant star!” Lermontov. “Lights were shining in the windows everywhere, shadows were flickering.” Goncharov. "In heaven, though... Dictionary Ushakova
Ray- a/, m. 1) Narrow band light emanating from what l. light source, luminous object. Sunbeam. Bright beam. Shine, shine, distant star, so that I always meet you in the night; your weak ray, fighting the darkness, carries dreams to the soul... ... Popular dictionary of the Russian language
"Star" Mikhail Lermontov
Shine, shine, distant star,
So that I always meet you at night;
Your weak ray, fighting the darkness,
Brings dreams to my sick soul;
She flies high towards you;
And this chest is free and light...I saw a look filled with fire
(It has long been closed to me)
But, like to you, I’m still flying to him,
And even though I can’t, I want to watch it...
Analysis of Lermontov's poem "Star"
In 1830, the poet created several works in the text of which a romantic image of a star appears. In addition to the analyzed material, variations on this theme are present in the poems “Above, one star is burning...” and “Jewish Melody.” The image, originally generated by Byron's motifs of the illusory nature of love, received independent development. The lyrical hero is attracted by the radiance of the lonely heavenly body. Its flicker is compared to the “tender gaze” of the woman whom the hero loved in defiance of fate. Former happiness seems as distant, inaccessible and hopeless as the faithless night light. This image is also associated with the motif of deception, which follows from the analogy with a landscape sketch of a night bay. Happiness and “bright joy” are insidious, like the reflection of starry shine in water: they attract an exalted soul, but remain inaccessible to it.
"Star" begins with a lexical anaphor consisting of a verb in imperative mood. "Shine" - in double call lyrical hero perseverance and perseverance are felt. Not just dispersing, but “fighting” the darkness, dim rays generate hope in the romantic “sick soul.” A short natural sketch helps to convey more accurately psychological picture lyrical "I". Characterizing internal state hero, the author resorts to impersonal design: the heart becomes “free and easy.”
The radiance of the night luminary is compared to fire past love, with a fiery feminine gaze. The same technique is used in the work “A Star Is Burning Above.” Happiness is now inaccessible and even prohibited, but the hero strives for it, like the light of weak night rays.
The contradiction between reality and the dreams of the lyrical hero is emphasized with the help of the antithetical basis of the central image. The flickering of the rays looks uncertain and weak, but is able to fight the darkness. The shine of a star is distant, but it helps to heal the soul, preserve romantic dreams and bright faith in their fulfillment.
In the meditative and lyrical intonations of “Star”, motives of hope for reciprocity and a persistent desire to return what was lost arise. Full of contradictions, but quite perceptible positive context, echoes of positive emotional charge distinguish the poem from the hopelessly sad tone of the two works mentioned above.
Mikhail Yuryevich Lermontov spent the summer of 1930 in Serednikovo, on the estate of his grandmother’s brother, Stolypin, near Moscow. A neighbor on the estate was Ekaterina Sushkova, with whom young poet his relative Alexandra Vereshchagina introduced him. To E. Sushkova, the poet had strong feelings, a real “romance” began. The young woman made notes about her relationship with Lermontov. In 1870, her book was published, which contained a lot of information about the poet. In it, E. Sushkova admitted the autobiographical basis of Lermontov’s poem “Star,” written by the poet in the same 1930.
Lermontov, already at such a young age, described such subtle states of mind like love and hope. In his poem “Shine, Shine, Distant Star,” the poet makes it clear to the reader how important this is for a person in life - a ray of hope. He may be weak and fighting the darkness, but he “carries dreams to my sick soul.” Suffering, the author asks the star to always shine. Of course, this hope is connected with love, which is most likely becoming a thing of the past, but the poet cannot let it go, does not want to forget, continues to hope: “and even though it’s impossible, I want to watch it...”. Former happiness seems as hopeless, inaccessible and distant as a weak ray in the dark.
The poem is written iambic pentameter, and compositionally it consists of two quatrains, each of them has a complete meaning. The first quatrain describes the author’s conversation in the present tense with a star; the motive of hope for reciprocity appears in the lyrical intonations. In the second quatrain there are memories from the past, a persistent desire to regain what was lost. The context of the poem, saturated with contradictions, conveys a sad tone that does not exclude faith in the good. The world of romantic dreams is gradually giving way to the depiction of reality.
The literary direction in which the work was performed is romanticism. The hero of the romantics is lonely, internally he is not dependent on anyone, he runs away from his environment, like the hero of Pushkin’s “Prisoner of the Caucasus”, or like Byron’s Childe Harold. At the beginning creative path young Lermontov Byron's poetry penetrated his heart. At first, the poet perceived Byron's works through translations, and then he himself learned English language. Subsequently, this influence on Lermontov’s poems became more direct and obvious.
Nature endowed Lermontov with passions. Good character, loving heart and the ability to get carried away made him vulnerable to the slander of friends about whom he was mistaken. The theme of the lyrics permeates the poet’s entire work and forms the image of his lyrical hero. Lermontov gave him his own traits, endowed him with his thoughts, his character, his will. The natural sketch, plastic image and lively conversation with the star in the poem give hope that the shine of the star will help preserve romantic dreams and faith in their fulfillment. The author was able to convey to the reader the internal state of the romantic hero thanks to the musicality of each word and poetic intonation.
In his poem Lermontov uses hidden figurative comparison according to principle personifications: “Your weak ray, fighting the darkness,” the ray “carries dreams,” the look “full of fire.” These metaphors gave exceptional expressiveness to the work. Indeed, the poet managed to invest in such short poem There are so many precise comparisons that the reader understands from the first lines the degree of the author’s emotional experiences. Mikhail Yuryevich Lermontov was so able to spiritualize and revive nature in his works that his contemporaries called him the Russian Goethe: the German poet in his time was considered unsurpassed in depicting nature.
The poem “Star” contains a reliable Lermontov portrait, a true Lermontov characterization. In this work he was reflected as he really was. Lermontov confessed to the reader in his poetry, opened his soul and allowed him to be understood as a man and a poet, a genius and immortal.
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