By the time he wrote the poem “Go away, my dear Rus'...” in 1914, Sergei Yesenin had already gained fame as a famous Moscow poet. He achieved poetic fame, among other things, thanks to poems on the theme of the Motherland, to which he dedicated most of his works.
The main theme of the poem
The image of Rus' for Yesenin is his village world, which the Moscow mischievous reveler has already managed to yearn for - the world of village life and village nature. The houses “smell of apple and honey”, “near the low outskirts the poplars are loudly withering.” This is the gray beauty of central Russia, but for every village corner and for every bump Yesenin finds a bright word. Critics note that in reality the phenomena described by the poet are much more boring and dull than the poetic descriptions he selected. Yesenin merges with nature, draws strength and inspiration from the village.
In the poem, the poet turns to his past village life, trying to resurrect the life-giving sensations that he experienced while walking in Russian forests and meadows, while working and contemplating. The main theme of the poem is love for the Motherland, the desire to feed on this love, breathe it in, experiencing the past, and radiate it in return. In his poetic return to his homeland, Yesenin sees himself as a “passing pilgrim,” as if he were on his way to some shrine, rushing to bow to it and reverently touch it, dreaming of spiritual healing. Rustic Rus' is associated with a large temple, bright and clear.
The poem is imbued with a bright love for Rus', the emotions are bright and joyful. The colors are bright, shiny: gold (“huts are in the robes of the image”), blue (“blue sucks the eyes”), “green lech”.
The mood of the poem is festive: it is both the joy of a date and a holiday in the village - the Savior with girlish laughter and dancing in the meadows.
In the last stanza, Yesenin hints that he has already visited many countries of the world, but nowhere was he as happy as in Russia. And even if he is offered to exchange his homeland not for another country, but for paradise, he knows that he will not find happiness in paradise - he needs his poor and rich, drinking, cheerful and crying, sublime and primitive, pious and blasphemous Rus'.
Structural analysis of the poem
The beginning of the poem is indicative - it is stylized as an address in dialogues in ancient Russian epics (“You are a goy, good fellow”). “Goiti” in Old Russian meant a wish for health and prosperity. Everywhere there is folk language, dialectisms showing the author’s reverent attitude towards his homeland: “ringing”, “korogod”, “lekh”, “privol”.
The vivid poetic technique that the poet uses is the personification of Rus'. The poet addresses the Motherland as if he is talking to it. The dancing is personified - it thunders, and the laughter - it rings, and the poplars - they “wither ringingly.”
The comparisons are extensive and multifaceted: “the huts are in the robe of the image,” “like earrings, a girl’s laughter will ring out.”
The landscape is metaphorical: the sky, which drowns the eyes, golden huts, trees rustling so that it seems as if they are ringing, not a trodden path, but a “crumpled stitch.”
The rhyme is cross, even and odd lines rhyme with each other. The rhyme is used alternately: in even lines it is feminine, in odd lines it is masculine.
The meter used by the poet is trochaic pentameter, it gives the poem a decisive, bold rhythm, and the closer to the finale, the more decisive the poet is - he realizes that the main thing for a person is love for his native land, which he absorbed with his mother’s milk and which life-saving for him at any turn in life.
/ / / Analysis of Sergei Yesenin’s poem “Go away, my dear Rus'...”
The fate of the great Russian poet Sergei Yesenin is quite ambiguous and mysterious. He had the opportunity to travel a lot and live far from his homeland. But he always hurried to where his home was, to where his soul would be filled with peace and harmony.
Being a true patriot, Yesenin never idealized his homeland - Russia. He, like no one else, knew about her shortcomings, troubles, and difficulties in the life of a common person. But, despite this, Yesenin sincerely loved Russia, such as it was, with its advantages and disadvantages. That is why the poet always strove to “go home” in order to find peace here.
The poem “Go you, Rus', my dear...” is one of the best works of Sergei Yesenin, in which he glorifies his homeland. It was written in 1914. By this time, Yesenin was already quite famous and lived in Moscow. The poet did not like the huge city. Yesenin tried to drown his melancholy in wine. The poet's thoughts increasingly took him back to the past, to the time when he was a simple peasant boy, when he was truly happy and free.
The poem “Go you, Rus', my dear...” becomes a memory of a past life. In it, Yesenin tried to convey to us the emotions and feelings that he experienced while enjoying the beauty of great Russia. In the poem, the poet assigns himself the role of a “wandering pilgrim” who only wants to pay tribute to his homeland. For Yesenin, the homeland is a temple that gives the tired traveler peace of mind and harmony, without taking anything in return.
Also, it is worth noting that in the poem “Go away, my dear Rus'...” Sergei Yesenin creates a rather ambiguous image of Russia. In the poem, wretchedness and beauty, dirt and purity, the divine and the earthly go side by side. But, despite this, the poet is not ready to exchange the apple-honey smell of the summer Savior and the ringing “girlish laughter” for anything. Yesenin, knowing that peasant life is full of all sorts of problems and difficulties, considers it more rational than his current life. Ordinary people have not lost touch with the past. They remember and sacredly protect the customs and traditions of their ancestors, their lives are filled with meaning. A simple person is truly rich, because he has the opportunity to enjoy the grandeur of nature, watch the leisurely flow of the river, the silence of the forest, and the singing of birds. Sergei Yesenin believed that if there is heaven on earth, then it is located right here - in a Russian village, unspoiled by man, in its pristine beauty.
Sergei Yesenin ends the poem “Go you, my dear Rus'...” with the lines:
I will say: “There is no need for heaven,
Give me my homeland"
In my opinion, these lines once again emphasize the poet’s boundless love for his homeland. Yesenin was ready to give up any human benefits just to have the opportunity to find himself again on his native land, to feel part of this huge country and its powerful people.
Goy you, my dear Rus', analysis of the poem by Sergei Yesenin
Plan
1. History of creation
2.Tropes and images
3.Size and rhyme
4.The meaning of the poem
1. The history of the creation of the poem. was an avid traveler, visited many countries of the world. But he always returned to Russia: his home is located there, and it is dearest to him.
Despite his glorification of the Fatherland, Yesenin was not a romantic idealist. He perfectly saw the negative sides of life in his country. But the poet forgave all the shortcomings of the country. He knew very well about the servility of the people, and about embezzlement among officials, hypocrisy and tyranny among landowners, the constant drunkenness of men, and the poor quality of roads.
Being married to an American, Yesenin had every chance of staying overseas. But he preferred Russia to foreign countries. Sergei Yesenin dedicated most of his poems to his homeland and native nature. Many of his works are imbued with love for his native land; Yesenin’s ability to find beauty in everything is clearly expressed.
2. Paths and images. The poet's homeland is a Russian village with many peasant houses. The poet felt part of nature and found inspiration in it. The poem “Go away, Rus'” can be considered a declaration of love for your native land. Despite all its shortcomings, Yesenin’s Motherland is a temple where everyone is able to return to their spiritual roots. He incredibly clearly demonstrates the contrasts of the Russian land - beauty and wretchedness, the kindness of people and the drunkenness of men, faith in God and the deification of the Tsar. But the life of the peasants seems to him more correct and consistent than his own. That is why he appreciates the Russian village, adding to its image the Apple Savior, and the laughter of girls compared to earrings.
He loves peasants for honoring the traditions of their ancestors and for being content with what they have. The poet tends to animate all living things, and here he does the same. He addresses Russia as a close person. There are dialectisms here (the round dance is called korogod) and the presence of church vocabulary (Savior; huts - in the vestments of the image; holy army). The whole picture is recreated through the lens of a “passing pilgrim.” Many techniques implemented by the author help you feel like you are in the village after a church service. The whole range of sounds creates an atmosphere of bell ringing. Even the village hut itself is likened to a temple. And the comparison of a village with a temple is the most important image in the poem.
The poet plays with flowers. Xin seems to be staring into his eyes. He sees the Russian land as clean and blue. This image was associated with the surface of water and especially with heaven. But the poet only hints at the abundance of golden color. It is present in the form of honey, and apples, and harvested fields, and thatched roofs.
3. Size and rhyme. The poem itself is melodic, it consists of five quatrains; trisyllabic meter - anapest. The rhyme here is cross.
4. The meaning of the poem. The poem is focused on the future tense throughout its entire length. The author's lyrical hero is about to set out on a journey to explore the vast expanses of his native lands. The lyrical hero is happy, living in harmony with nature. He doesn't need any other happiness. Yesenin's lyrical hero is a village, curly-haired, cheerful boy with an accordion who sings songs about his native land.
Sergei Yesenin is a great poet who is equally connected by blood with his people and fatherland. The power of his words is imbued with unprecedented sincerity and honesty.
Sergei Yesenin, like most poets, tried not only to convey love for the Motherland in his poems, but also to create in them a unique, integral image of it. The strength and depth of Yesenin’s lyrics lies in the fact that the bottomless feeling of love for Russia is expressed not rhetorically and abstractly, but specifically, in visible material images, through the depiction of the native landscape. Love for the Motherland was also reflected not only in the semantic load of the poems, but also in their artistic form itself, which is evidenced, first of all, by the deep internal connection of his poetry with folk oral creativity.
Analysis of the poems “Go away, my dear Rus'”
The most famous work of the early period of creativity of Sergei Yesenin is “Go away, Rus', my dear”, is a kind of ode to the Motherland. The verse carries an extraordinary philosophy of values: ordinary simple things acquire divine meaning and spiritual content. The poet compares peasant huts with icons (“huts - in the vestments of an image ...”). Yesenin admires the extraordinary beauty and majesty of his native expanses, he feels himself a part of them. The author perceives Rus' as his personal paradise, in which he finds peace of mind and spirituality. The poem successfully combines heart-aching sadness and at the same time real pride and love for one’s native land. The author managed to show in one verse the entire diverse palette of his feelings towards Russia.
In the mid-20s of the 20th century, society began to take stock of the revolutionary upheaval in Russia. In the poem " Soviet Rus'", which was created in 1924, the author, with his characteristic lyrical touch, describes his excitement in connection with a new stage in the life of his state. Yesenin greets Soviet Russia with both joy and sadness. After all, the change of government and its establishment on a new path of development raised fears for the future of both the people and the state as a whole. But, despite his fears, Yesenin boldly says goodbye to old Russia and accepts a renewed Russia, sincerely believing in its bright future.
Analysis of the poems “The feather grass is sleeping”
In 1925, after returning to his parents’ home, S. Yesenin created the poem “ The feather grass is sleeping..." With trembling reverence, the author describes the picturesqueness of his native land: the endless expanses of forests, meadows, fields, and the magic and delight of the Russian night. Unlike earlier works, in the poem “The Feather Grass Sleeps” love for the Motherland is depicted as hard-won, having gone through many obstacles, but still not leaving the heart of the faithful son of his Fatherland. The lyrical hero reflects on the purpose in life that is predetermined for him by fate. The poem very clearly shows sadness about the past, which can no longer be returned. Dawn symbolizes the onset of a new era in which the author cannot find his place.
Surely, you won’t even have time to fully read the question: “Which poet can be called a real singer of Russian nature?”, before the image of Sergei Yesenin will appear in your mind.
He was born in the village of Konstantinovo, Ryazan province. From his first years, the boy was surrounded by nature untouched by man. He admired her beauty; it was she who inspired creativity and inspired the then very young boy to create his first works.
Since then, the theme of nature has become the main theme of the poetry of Sergei Aleksandrovich Yesenin. Having moved to the capital, the poet yearned for his small Motherland, for its pristine beauty and silence. The poet always considered rural Russia his home and loved it with all his heart. He was not an absolute idealist: Yesenin, of course, saw that the village needed development, he did not hide his eyes from its pressing problems from broken roads to the continuous drunkenness of some residents. Being a speaker, the poet spoke about this. But he loved his homeland for what it was and was proud of its achievements. Yesenin had the opportunity to live and create in the West, but the poet’s heart could not beat somewhere far from Russia. Yesenin could only breathe Russian air.
One of the most famous poems in which this author glorifies the Motherland is “Go you, my dear Rus'...”, created in 1914. At this time, Yesenin had already lived in Moscow for two years and managed to become a fairly popular poet.
For all its shortcomings, Yesenin associates Russia with God’s temple, where the suffering soul finds peace. And huts for him are something other than “in the vestments of an image.” But the author notes the sad fact that with all this solemnity and openness, poverty, drunkenness and dirt are closely intertwined with their dried poplars near the outskirts.
Yesenin's homeland is true, it is contradictory and not entirely clear. But at the same time, the author is definitely sure that he would not exchange the smell of ripe apples, the perky laughter of a Russian girl, the aroma of honey and the sounds of church bells for any wealth in the world. After all, nowhere else except rural Russia will you find anything like this.
Despite understanding the severity of peasant life, the poet notes that ordinary people live real life, experience true emotions, know how to rejoice at a successful day, enjoy the beauty of nature, and appreciate the little they have. Their lives are truthful and complete. Yesenin declares that the life of a villager is a hundred times better than his present one, if only because they have not forgotten how to honor the traditions of their ancestors, and their main asset is clean and endless fields and meadows, forests and rivers. According to Yesenin, if in his contemporary world there remains paradise on Earth, then it is hidden precisely in the village.
The poem is filled with figurative and expressive means. Already at the very beginning we meet personification: the poet addresses Rus' as a living person, he understands Russia as a certain living organism living according to its own special laws and rules.
Yesenin’s favorite technique, color painting, can also be found here. We read the lines and clearly see what is described: the sky is bright blue, the foliage is green, the images and tops of churches are golden. Metaphors such as “the poplars are withering” and epithets such as “low outskirts” are also actively used in the text. Without them, the picture would not be complete.
Yesenin is a singer of the Russian village. He loved her with all his heart, not only for the beauty created without human participation, but also for her simplicity and spirituality, which he had never encountered anywhere else.