Blok wrote this poem during the heyday of symbolism, being in love and passionate about philosophy. Thanks to this combination of the poet’s thoughts and feelings, it is filled with bright and mysterious symbols, an atmosphere of love and expectation.

Briefly about the poet

Alexander Blok was one of the brightest representatives of the Silver Age. Of the many movements, he chose symbolism and followed its principles throughout his entire creative period. The poet is known in many countries thanks to the poem "Stranger", which has been translated into many languages, as well as the poem that we will study in the article and analyze - "I enter dark temples."

Blok was born into a noble family, his mother and father were educated, talented people. He inherited from his parents a love of literature and art. True, everything has two sides. The dark side of the coin of the Blok family turned out to be a hereditary mental illness that was passed down through generations.

The first publication of the poet's poems was in 1903 in Merezhkovsky's Moscow magazine, and from that moment he won the hearts of readers with his light style, hiding not always accessible symbols and images.

Analysis: “I enter dark temples” (Block)

The poem was created in 1902. According to literary scholars, this time was a period of the poet’s sublime love for his future wife, Lyubov Mendeleeva (daughter of the same Mendeleev who discovered the table of chemical elements), and passion for the philosopher Solovyov’s concept of higher femininity and the divine essence of love for a woman. These two motifs intertwined into one and created the poem “I Enter Dark Temples.” The divine principle of love and the divine feminine principle create the invisible image of the poet’s “Eternal Wife”. His feelings are bright and spiritual. His love also has a platonic, immaterial form. The beloved is compared to a deity, she is invisible and inaccessible to the eye, but the author, calling her “Darling - you!”, says that he has known her for a long time, her image is familiar and close to him, and such a mystical meeting fascinates, surprises, attracts attention and does not leave the reader indifferent.

The poem describes a wondrous expectation, a premonition of an imminent meeting with the “Beautiful Lady”. The author's love inspires him, the dark, cold walls of the temple are filled with the joy of anticipation.

What kind of temple is this? Let us remember that the author belonged to the Symbolists, which means that the concept here is not factual, but symbolic. Perhaps the dark temple symbolizes the soul of the poet. Darkness is not darkness, but the twilight of waiting. The red lamp symbolizes love, the fire of which has just ignited, but is already tormenting with its anticipation.

And the one he is waiting for? Who is she, the “Majestic Eternal Wife”? Most likely, here, as in “The Stranger,” we are talking about the image of the poet’s beloved. He doesn’t see her yet, but he already feels and waits. The word “accustomed” says that this expectation is not new to him, he is accustomed to waiting for it, the image in his heart shines like a lamp in a temple. “Neither sighs nor speeches are heard” by the poet, but he knows that his beloved is nearby, and soon she will be with him.

"I enter dark temples." The emotional atmosphere of the poem

The atmosphere of poetry hits the reader from the first lines. These are mysterious “dark temples”, austerity, asceticism with an admixture of anticipation and foreboding. “Trembling from the Creak of Doors” betrays tension, high notes of anticipation contrasting with darkness and shadows. Red lamps add spice, it seems as if we are with the author and, just like him, we are waiting for his wondrous Lady.

The analysis of “I Enter Dark Temples” can be quite difficult and ambiguous. The symbolist Bloc never tells us what kind of temples he is talking about, but his task is not to tell, but to let us feel his poetry. In this poem his plan was a success. The feeling of anticipation merges with the mystical feeling of the presence of the image of the author’s beloved nearby. She is invisible, inaudible, but the poet knows that she will come to this dark temple, filled with shadows of doubt, and will easily dispel them.

Finally

Real diamonds of poetry were created. Decades pass, and their poems are still relevant and bright. Alexander Blok is one of these poets. “I enter dark temples” with its wondrous atmosphere of expectation, longing and joy from the realization of a meeting that may only happen in a dream - an amazing poem about love and expectation, about the spiritual beginning of feelings and about the bright dream of a loved one.

The poem “I Enter Dark Temples” became one of the first in the famous cycle “Poems about a Beautiful Lady,” which Blok himself considered one of the best stages of his work. A brief analysis of “I Enter Dark Temples” according to the plan, used in a literature lesson in grade 11, will help students better understand this work.

Brief Analysis

History of creation– the exact date Blok wrote this poem is known: October 25, 1902. Then the poet was passionately in love with his future wife L. Mendeleeva.

Subject- the love of the lyrical hero, who is waiting for his chosen one to reveal her feminine essence.

Composition– the work can be roughly divided into three parts. The first is the introduction, in which the hero doubts that his beloved is the one who embodies eternal femininity, but still looks forward to meeting her. The second part develops philosophical thought, while emphasizing that the lyrical hero treats his beloved as an ordinary woman. The conclusion is the last stanza, in which he again brings the invisible essence of his lady to the fore.

Genre- a combination of love and spiritual lyrics inherent in Blok’s early poetic creations.

Poetic size- dolnik.

Epithets – “dark temples”, “poor ritual”, “Beautiful Lady”, “illuminated image”, “Majestic Eternal Wife”, “tender candles”, “pleasant features”.

Metaphors – “the image looks”, “the Wife’s robe”, “smiles, fairy tales and dreams run”.

History of creation

In the early period of his creativity, Alexander Blok was very passionate about the philosophy of Vladimir Solovyov, and especially his teaching about eternal femininity. It made such a deep impression on the poet that one of his most famous poetic cycles - “Poems about a Beautiful Lady” - is based entirely on it.

The same philosophical thought is the basis of the poem “I Enter Dark Temples,” which Blok himself dated very precisely - October 25, 1902. At that time, the poet was passionately in love with Lyubov Mendeleeva, who would later become his bride, and then his wife. He saw the girl as the embodiment of that same eternal femininity. Blok gave his love a mystical meaning, seeing in it a special feeling.

Subject

The main theme is love. The lyrical hero experiences passionate feelings for his chosen one, he sees in her his earthly goddess. Already in this work, the dual world inherent in all of Blok’s work is manifested: there is a world that can be seen and felt, and a second one that is unattainable, divine. This is the second theme of the verse - philosophical.

In general, it clearly reveals another feature of Blok’s early lyrics, when reality recedes before the illusory world. It is open only to the inner gaze of the poet himself and is invisible to no one else.

Composition

Compositionally, the poem can be divided into three parts. In the first - the beginning - the lyrical hero enters the “dark temples” to perform his ritual. He has a little doubt that the woman he has chosen really embodies eternal femininity, but he is in love, and therefore looks forward to his meeting with her.

The second part is the development of the main idea. The lyrical hero, no longer doubting, argues that he is given the opportunity to come into contact with a real deity every day. On the one hand, he understands that his beloved is the embodiment of everything divine that he cannot even imagine; on the other hand, he says that he is used to being in contact with a miracle every day, and this helps him think of his beloved not only as goddess, but also as a woman.

The work ends with Blok emphasizing not the earthly, but the sublime essence of his beloved. She embodies that lofty and beautiful thing that an ordinary person cannot comprehend.

Genre

On the one hand, it can be classified as love poetry, since the lyrical hero of this work talks about his feelings, talks about what emotions his beloved evokes in him. On the other hand, the poetic lines also contain a philosophical meaning that closely connects them with the teachings of Solovyov. Thus, the work is an example of love and philosophical lyrics. As for the poetic meter used, it is a dolnik. Thus, he makes its structure agitated and even somewhat dissonant, conveying the feelings of the lyrical hero. Abstract vocabulary creates a high tone.

Means of expression

To emphasize his idea, Blok uses a variety of expressive means. Among them:

• Epithets- “dark temples”, “poor ritual”, “Beautiful Lady”, “illuminated image”, “Majestic Eternal Wife”, “tender candles”, “pleasant features”.
• Metaphors- “the image looks,” “the Wife’s robe,” “smiles, fairy tales and dreams run.”

If you look at the syntactic structure of a sentence, you can see a lot inversions, for example, “I’m coming in,” “I’m waiting,” and the like. This makes it solemn and measured.

Poem test

Rating analysis

Average rating: 4.4. Total ratings received: 32.

“I enter dark temples...” Alexander Blok

I enter dark temples,
I perform a poor ritual.
There I am waiting for the Beautiful Lady
In the flickering red lamps.

In the shadow of a tall column
I'm shaking from the creaking of the doors.
And he looks into my face, illuminated,
Only an image, only a dream about Her.

Oh, I'm used to these robes
Majestic Eternal Wife!
They run high along the cornices
Smiles, fairy tales and dreams.

Oh, Holy One, how tender the candles are,
How pleasing are Your features!
I can't hear neither sighs nor speeches,
But I believe: Darling - You.

Analysis of Blok’s poem “I enter dark temples...”

Love lyrics are of key importance in the works of Alexander Blok. And this is not surprising, since the 17-year-old poet, who experienced strong feelings for Lyubov Mendeleeva, managed to preserve them for the rest of his life. This woman was destined to become Blok's muse and his guardian angel. Even after fate separated this couple, the poet continued to love his ex-wife, helped her in every possible way and sincerely believed that they were made for each other.

For the first time, the image of Lyubov Mendeleeva appeared in the poet’s poems, dated to the last year of the 19th century. This period of creativity includes the creation of a cycle of works dedicated to the mysterious beautiful lady. Its prototype was the poet’s chosen one, who did not reciprocate his feelings for a long time. As a result, the young people separated and did not see each other for several years, during which Blok recreated a sweet image in his works with enviable regularity. The eyes, smile and even the voice of Lyubov Mendeleeva followed the poet everywhere. Blok even admitted that it was like a kind of insanity when in a crowd of people you try to find a familiar figure, you notice a similar head tilt in completely strangers and even the manner of carrying a handbag in your hands.

The poet did not tell anyone about his emotional experiences, but what he felt after parting with his chosen one can be easily read between the lines of his works. One of them is the poem “I Enter Dark Temples...”, created in 1902. Its essence boils down to the fact that even in the image of the Mother of God the poet seems to be beloved, and this fills his soul with double joy. It is difficult to judge how much of what was written corresponded to reality, but acquaintances of the young Blok claim that at some point he became truly devout and rarely missed Sunday services. It can be assumed that with the help of prayer the poet tried to drown out his mental pain and come to terms with the loss of a loved one. However, the author himself explains this behavior somewhat differently, noting: “there I am waiting for the Beautiful Lady in the flickering red lamps.”

It would be foolish to expect that it would be in the temple that Blok would meet his pragmatic and free from religious prejudices lover. The poet understands this very well, but continues to go to church. There, “only an illuminated image, only a dream about Her,” looks into my face. Now there is no longer any doubt that in the images of the “Majestic Eternal Wife” the poet sees the features of the girl with whom he is in love. And this similarity fills Blok’s soul with inexplicable joy; he believes that his love is a gift from heaven, and not a curse. And such an interpretation of such a strong feeling forces Blok not to abandon it, but, on the contrary, to cultivate love in his heart, which gives him the strength to live. “I can’t hear any sighs or speeches, but I believe: Darling, you are,” the poet admits.

The romantic period in Blok’s work, associated with the creation of the cycle “Poems about a Beautiful Lady,” did not pass without a trace for the poet. Until his death, he treated women with great respect, considering them superior beings, more refined and vulnerable. As for Lyubov Mendeleeva, he truly idolized her and was even slightly afraid that with his own feelings, rude and primitive, he could denigrate the soul of the one he loved so much. However, as practice shows, not every woman can appreciate such a reverent attitude towards herself. Mendeleev's love in this regard was no exception, as she betrayed Blok more than once, falling in love with other men. However, after the poet’s death, she admitted that she was unfair to him and could not fully understand what a noble and sublime nature her husband possessed.

Analysis of the poem “I enter dark temples”

Symbolist A.A. Blok immortalized his name by creating a cycle of poems about the “Beautiful Lady.” They contain pure adolescent love for beauty, chivalrous humility to the ideal, a dream of sublime love, which was a means for penetration into the higher worlds, for merging with perfect eternal femininity. The cycle of poems about “The Beautiful Lady” is dedicated to the beloved A.A. Blok. Lyubov Dmitrievna Mendeleeva, who later became his wife. This is a prayer addressed to the Lady of the Universe, the Eternal Wife, the saint. And I consider the masterpiece “I Enter Dark Temples” to be one of the most heartfelt and mysterious poems.

I enter dark temples

I perform a poor rite

There I am waiting for the Beautiful Lady

In the flickering of red lamps.

The first line of the poem sets the reader up for something mystical, otherworldly, inherent in the abode of an unearthly creature, a Beautiful Lady, a Majestic Wife, dressed in white robes and alien to all earthly quagmire.

The lyrical hero considers the rite of knighting the Beautiful Lady to be poor in comparison with the rich spirituality of his ideal. The internal state of the lyrical hero is magnificently shown with the help of figurative details - red lamps. Red is the color of love and anxiety. The hero loves his ideal, but experiences anxiety before its appearance. Further, the lyrical hero’s anxiety increases (“I’m trembling from the creaking of the doors...”), as her image visibly appears in his imagination, a dream about her, illuminated by an aura of holiness, created by Blok himself. The image of the Beautiful Lady is ethereal, fantastic, but it appears so often before the poet that he is already accustomed to contemplating her in divine robes. Her appearance brings peace to the hero’s lyrical soul, he sees smiles around him, hears fairy tales, and fairy-tale dreams arise in his imagination. All his senses are open to the inspiration of perception of everything that he sees and hears. The lyrical hero finds harmony. He exclaims enthusiastically:

Oh, Holy One, how tender the candles are,

How pleasing are your features

I can't hear any sighs or speeches

But I believe - Darling You.

Admiration fills the narrator's soul. The lexical repetition of the intensifying “how” emphasizes the admiration and admiration of the young poet for perfection. The metaphorical epithet “affectionate candles” is Blok’s real poetic discovery. The hero “cannot hear either the sighs or the speeches” of his beloved, a disembodied spirit, but contemplating the gratifying features that give joy and peace to the heart, elevating the soul and giving inspiration, he believes that she is Darling. An intensifying punctuation mark - a dash - puts a huge emphasis on the short “you”, confirming the indisputability of the poet’s ideal. Blok’s dream of meeting a Beautiful Lady boiled down to leaving the real world, full of quagmires, swamps, “black buildings”, “yellow” lanterns, unworthy people for whom “truth is in wine”, in the deception of the weak, defenseless, in profit and self-interest , into an ideal world inhabited by pure creatures close to the ideal.

The poem makes a huge impression on the reader with its power of storytelling, the selfless feelings of the youth - the knight Blok, the abundance of visual expressive means that fully reveal the internal state of the lyrical hero, showing the situation surrounding the poet, and creating that religious, mystical flavor. The text contains many words that have a bright emotional connotation, sublime, church vocabulary (temple, lamp, robe, gratifying), they emphasize the exceptional solemnity and significance of the events for the poet. The image of the Beautiful Lady meant a lot to Blok; he idolized her, but later the Muse of Eternal Femininity left him.

The poem incorporates the main motifs of the cycle “Poems about a Beautiful Lady.”

The reason for creating the poem was the meeting of A. Blok with L. D. Mendeleeva in St. Isaac’s Cathedral. An image appears before the lyrical hero that can only be compared with Pushkin’s Madonna. This is “the purest example of pure beauty.” In the poem, with the help of color, sound and associative symbols, the image of the Beautiful Lady of the lyrical Hero mysteriously and indefinitely appears before us. All words and stanzas are full of special significance: “Oh, I’m used to these vestments,” “Oh, holy ..." - with the help of anaphora, the author emphasizes the importance of the event.

The intonation is solemn and prayerful, the hero longs and begs for a meeting, he trembles and trembles all over in anticipation of her. He expects something wonderful, majestic and completely worships this miracle.

“The flickering of red lamps” does not allow us to clearly see the image of the Beautiful Lady. She is silent, inaudible, but words are not needed to understand and respect Her. The hero understands Her with his soul and raises this image to heavenly heights, calling her “The Majestic Eternal Wife.”

Church vocabulary (lamps, candles) places the image of the Beautiful Lady on a par with the deity. Their meetings take place in the temple, and the temple is a kind of mystical center that organizes the space around itself. A temple is an architecture that strives to recreate a world order that amazes with harmony and perfection. An atmosphere is created corresponding to the anticipation of contact with the deity. The image of the Mother of God appears before us as the embodiment of the harmony of the world, which fills the hero’s soul with reverence and peace.

He is a loving, selfless, under the impression of a beautiful person. She is that beautiful and ethereal thing that makes the hero shudder: “And an illuminated image looks into my face, only a dream about her,” “I tremble from the creaking of doors...” She is the concentration of his faith, hope and love.

Color palette consists of dark shades of red (“In the flickering of red lamps...”), which convey sacrifice: the hero is ready to give up his life for the sake of his beloved (red is the color of blood); yellow and gold colors (candles and church images), carrying warmth directed towards a person and the special value of the surrounding existence. Tall white columns elevate the significance of both the image of the Beautiful Lady and the emotional feelings of the hero. Blok wrapped everything that happened in the poem in darkness, covered it with a dark veil (“dark temples”, “in the shadow of a high column”) in order to somehow protect this closeness and holiness of the characters’ relationship from the outside world.

Color painting. Sound recording.

Stanza 1: the sounds “a”, “o”, “e” combine tenderness, light, warmth, delight. The tones are light and shimmering. (Color white, yellow.)

Stanza 2: sounds “a”, “o”, “and” - constraint, fear, darkness. The light is diminishing. The picture is unclear. (Dark colors.)

Stanza 3: The darkness leaves, but the light comes slowly. The picture is unclear. (A mixture of light and dark colors.)

Stanza 4: the sounds “o”, “e” carry ambiguity, but bring the greatest flow of light, expressing the depth of the hero’s feelings.

Analysis of the poem by A.A. Blok "The girl sang in the church choir" .

In this poem, the poet conveys the interaction of the Eternal Feminine, beauty with the reality of life, that is, the connection between the earthly and the Divine.

At the beginning of the poem there is peace, tranquility. A church is depicted, a singing girl, and in the background there are ships sailing into the sea, people who have forgotten their joy. The girl in the church song empathizes with “...the tired in a foreign land, the ships that have gone to sea and forgotten their joy.” Her song is a prayer for those torn away from their native home, for those abandoned to a foreign land. The peaceful singing prompted everyone from the darkness to look at her white dress and listen to the mournful song. The darkness and her white dress symbolize the sinful and the holy in the midst of this cruel world. With her singing, she instilled in people a piece of sincere kindness, hope for a better, brighter future: “...And it seemed to everyone that there would be joy, that all the ships were in the quiet backwater, that tired people in a foreign land had found a bright life for themselves.”

We see the unity of those present in the church in one spiritual impulse. Even at the beginning of the poem there was no hope for happiness, a bright life. But when her gentle voice was heard from the darkness and a white dress appeared, illuminated by a ray, then the confidence came that the world was beautiful, it was worth living for the sake of beauty on Earth, despite all the troubles and misfortunes. But in the midst of universal happiness, someone will be deprived and unhappy - the one who went to war. And now the warrior will live only with memories, hoping for the best.

With her dazzling radiance and gentle voice, the girl gave people the opportunity to forget for a moment about what was happening outside the church. In the image of the girl they saw that ray of life that they so needed. They saw her not as a simple girl, but as a Divinity who descended from heaven to the sinful earth to save their souls. In the last column of the poem, the cry of a child is a harbinger of war. After all, the poem was written in 1905 (the end of the Russo-Japanese War).

Helps us understand the deeper meaning of the poem color background. If at the beginning of the poem people are absorbed in darkness, then at the end of the poem the dark tones turn into light. It seemed to them that they “...found a bright life.”

In the fourth stanza, in the third line - “...participated in secrets, - the child cried” - this child is prophetic, the future is open to him, he knew in advance the tragic outcome for Russia in the war in the summer of 1905. The child personifies rebirth, renewal, everything that is bright and innocent. And in this case, he is a child prophet, foreseeing a difficult future for Russia.