Pasternak, you are beautiful without crinkling. Analysis of the poem “To love others is a heavy cross” by Pasternak

In Pasternak’s life there were three women who were able to win his heart. A poem is dedicated to two of the lovers, the analysis of which is presented in the article. It is studied in 11th grade. We invite you to familiarize yourself with a brief analysis of “Loving others is a heavy cross” according to plan.

Brief Analysis

History of creation- the work was written in the fall of 1931, two years after meeting Zinaida Neuhaus.

Theme of the poem- Love; qualities of a woman that deserve love.

Composition– The poem was created in the form of a monologue-address to a loved one. It is laconic, but, nevertheless, is divided into semantic parts: the hero’s attempt to unravel the mystery of his beloved’s special beauty, brief reflections on the ability to live without “dirty” in the heart.

Genre- elegy.

Poetic size– written in iambic tetrameter, cross rhyme ABAB.

Metaphors – “to love others is a heavy cross”, “your charm is tantamount to the secret of life”, “the rustle of dreams”, “the rustle of news and truths”, “shake out verbal rubbish from the heart.”

Epithets – “you are beautiful”, “the meaning... is selfless”, “not a big trick”.

Comparison – “your meaning is like air.”

History of creation

The history of the creation of the poem should be found in the biography of Pasternak. The poet's first wife was Evgenia Lurie. The woman was an artist, so she did not like and did not want to deal with everyday life. Boris Leonidovich had to take care of household chores himself. For the sake of his beloved wife, he learned to cook and do laundry, but it didn’t last long.

In 1929, the poet met Zinaida Neuhaus, the wife of his pianist friend Heinrich Neuhaus. Pasternak immediately liked the modest, pretty woman. Once he read his poems to her, instead of praise or criticism, Zinaida said that she did not understand anything from what she read. The author liked this sincerity and simplicity. He promised to write more clearly. The love relationship between Pasternak and Neuhaus developed, she left her husband and became the poet's new muse. In 1931, the analyzed poem appeared.

Subject

The poem develops the theme of love, popular in literature. The poet’s life circumstances leave an imprint on the lines of the work, so you need to read the poems in the context of Pasternak’s biography. The lyrical hero of the work completely merges with the author.

In the first line, Pasternak hints at a relationship with Evgenia Lurie, whom it really was not easy to love, since the woman was hot-tempered and capricious. Next, the lyrical hero turns to his beloved. He considers its advantage to be “lack of convolutions,” that is, not too high intelligence. The poet believes that this is what gives a woman her charm. Such a representative of the fairer sex is more feminine and can be an excellent housewife.

The author believes that the beloved lives not so much with her mind as with her feelings, which is why she can hear dreams, news and truths. She is as natural as air. In the last stanza, the poet admits that next to such a woman it is easy for him to change. He realized that it is very easy to “shake the verbal rubbish out of the heart” and prevent new contamination.

Composition

The poem is created in the form of a monologue-address to a loved one. It can be divided into semantic parts: the hero’s attempt to unravel the mystery of his beloved’s special beauty, brief reflections on the ability to live without “dirty” in the heart. Formally, the work consists of three quatrains.

Genre

The genre of the poem is elegy, as the author reflects on an eternal problem; in the first line one feels sadness, apparently because he felt this “heavy cross” on himself. There are also signs of a message in the work. The poetic meter is iambic tetrameter. The author uses ABAB cross rhyme.

Means of expression

To reveal the theme and create the image of an ideal woman, Pasternak uses artistic means. Plays the main role metaphor: “to love others is a heavy cross”, “your charm is tantamount to the secret of life”, “the rustle of dreams”, “the rustle of news and truths”, “to shake out verbal rubbish from the heart”.

Much less in the text epithets: “you are beautiful”, “the meaning... is selfless”, “not a big trick”. Comparison just one thing: “your meaning is like air.”

To love... but who?

Loving others is a heavy cross...

Pasternak's lyrical hero bows to his beloved, comparing her to the “unraveling of life”, “the rustle of dreams”, “the rustle of news and truths”, she is capable of “. These metaphors are unusual: they restore the unity of the world surrounding the lyrical hero, bring together disparate details, and emphasize the interpenetration of objects and phenomena.

It's easy to wake up and see clearly,

Shake out the verbal trash from the heart

And live without getting clogged in the future.

And your beauty is a secret

The solution to life is tantamount to...

And live without getting clogged in the future...

Loving others is a heavy cross...

The theme of love has been one of the main ones in lyrics since its inception. Poets and writers have covered this topic in different ways. After all, poetry reveals the inner world of a person, the most intimate thing in him.

In the forties of the nineteenth century, M. Yu. Lermontov wrote in his poem “Both Boring and Sad”:

To love... but who?

And a little less than a century later, as if in continuation, B.L. Pasternak, whose name is put on a par with the poets of the Golden Age, “responded”:

Loving others is a heavy cross...

B. Pasternak’s poem “Loving others is a heavy cross...”, written in nineteen thirty-one, is included in the collection “Second Birth”. Its addressee is Zinaida Nikolaevna Neuhaus, the poet’s second wife.

The work consists of three quatrains written in iambic tetrameter. There are only three stanzas, but how many feelings and experiences are hidden in them!

I think this poem is a confession. Declaration of love and recognition of the superiority of the object of adoration over one’s modest person. The first line sounds like a revelation:

Loving others is a heavy cross...

The poet draws attention to a woman’s closeness to nature, her kinship with life itself. Love for a woman is like love for life, for the world, and communes the poet with him:

It's easy to wake up and see clearly,

Shake out the verbal trash from the heart

And live without getting clogged in the future.

All this is not a big trick.

The feeling ennobles, it is like purification.

The emotional tonality is sublime, the poetic intonation is melodic, harmonious due to the construction of the verse: precise cross rhyme (cross - convolutions - secret - equivalent), alternation of male and female rhymes. And this gives completeness to each quatrain. The first stanza, and at the same time the entire poem, begins with an inversion (“To love others ...”), highlighting the action. This figure appears in other lines:

And your beauty is a secret

The solution to life is tantamount to...

And live without getting clogged in the future...

There is parallelism in the first and last sentences, which, in my opinion, emphasizes the intonational completeness of the verse:

Loving others is a heavy cross...

... All this is not a big trick.

The author conveys the feelings and experiences of the lyrical hero using sound recording. For example, alliteration is represented by the sounds [l], [r], [n], [s] in the first quatrain, [s], [w], [t] in the second, [l], [r], [n], [s], [d] in the third. This gives a special sound to the work. The assonance of sounds [o], [e] in the second quatrain emphasizes the features inherent in the lyrical heroine: tenderness, purity, sensuality.

Rereading the lines of B.L. Pasternak, I involuntarily remember the poem by A.S. Pushkin's "Madonna", in which the poet exclaims:

My wishes came true. Creator

Sent you to me, you, my Madonna,

The purest example of pure beauty.

Of course, there is some kind of consonance between two poetic pearls, in which the great power of love and its significance in the life of every person is sung.

Until his last days, love for a woman gave B. Pasternak vitality, inspired creativity and helped him withstand the most unbearable circumstances of serious illness, vicious persecution and disgrace, despite the fact that

Loving others is a heavy cross...

“Loving others is a heavy cross...” B. Pasternak

“Loving others is a heavy cross” Boris Pasternak

Loving others is a heavy cross,
And you are beautiful without gyrations,
And your beauty is a secret
It is tantamount to the solution to life.

In spring the rustling of dreams is heard
And the rustle of news and truths.
You come from a family of such fundamentals.
Your meaning, like air, is selfless.

It's easy to wake up and see clearly,
Shake out the verbal trash from the heart
And live without getting clogged in the future,
All this is not a big trick.

Analysis of Pasternak’s poem “Loving others is a heavy cross”

Boris Pasternak's personal life was full of fleeting romances and hobbies. However, only three women were able to leave an indelible mark on the poet’s soul and evoke a feeling that is commonly called true love. Boris Pastrenak married quite late, at 33, and his first wife was the young artist Evgenia Lurie. Despite the fact that the spouses were crazy about each other, quarrels constantly broke out between them. The poet's chosen one turned out to be a very hot-tempered and capricious lady. Plus, she considered it beneath her dignity to be engaged in arranging her life while another unfinished painting was waiting for her on the easel. Therefore, the head of the family had to take on all the household chores, and over the course of several years of family life he learned to cook, wash and clean perfectly.

Of course, Boris Pasternak and Evgenia Lurie had a lot in common, but the poet dreamed of family comfort and to always have an ordinary person next to him, devoid of creative ambitions. Therefore, when in 1929 he was introduced to the wife of his friend pianist Heinrich Neuhaus, he literally fell in love with this modest and sweet woman from the first moments. During one of his visits to a friend, Boris Pasternak read several of his poems to Zinaida Neuhaus, but she honestly admitted that she did not understand anything about them. Then the poet promised that he would write especially for her in a simpler and more accessible language. At the same time, the first lines of the poem “Loving others is a heavy cross” were born, which were addressed to his legal wife. Developing this theme and turning to Zinaida Neuhaus, Pasternak noted: “And you are beautiful without convolutions.” The poet hinted that the subject of his hobbies was not distinguished by high intelligence. And this is what most attracted the author in this woman, who was an exemplary housewife and fed the poet excellent dinners. In the end, what had to happen happened: Pasternak simply took Zinaida away from her legal husband, divorced his own wife and remarried the one who for many years became his true muse.

What the poet admired about this woman was her simplicity and artlessness. Therefore, in his poem he noted that “your charm is tantamount to the secret of life.” With this phrase, the author wanted to emphasize that it is not intelligence or natural attractiveness that makes a woman beautiful. Her strength lies in her ability to live according to the laws of nature and in harmony with the world around her. And for this, according to Pasternak, it is not at all necessary to be an erudite person who is able to support a conversation on philosophical or literary topics. It is enough just to be sincere, to be able to love and sacrifice yourself for the sake of a loved one. Addressing Zinaida Neuhaus, the poet writes: “Your meaning, like air, is selfless.” This simple phrase is full of admiration and admiration for a woman who does not know how to pretend, flirt and conduct small talk, but is pure in thoughts and actions. Pasternak notes that it is not difficult for her to wake up in the morning and “shake out the verbal trash from her heart” in order to start the day with a clean slate, joyfully and freely, “to live without getting clogged in the future.” It was this amazing quality that the poet wanted to learn from his chosen one, and it was precisely this kind of spiritual purity, balance and prudence that he admired.

At the same time, the author noted that loving such a woman is not at all difficult, since she seemed to be created for a family. Zinaida Neuhaus became for him an ideal wife and mother, who won his heart with her selfless care for loved ones and the desire to always come to the rescue in difficult times.

However, his touching affection for his wife did not prevent Boris Pasternak from experiencing the pangs of love again in 1946 and starting an affair with Olga Ivanskaya, an employee of the Novy Mir magazine. But even the news that his chosen one was expecting a child did not affect the poet’s decision to preserve his own family, in which he was truly happy.

“Loving others is a heavy cross...”, analysis of Pasternak’s poem

Surprisingly, the first two lines of this lyrical poem by Boris Pasternak have long become aphorisms. Moreover, they are quoted in different situations and with different emotional overtones: - with bitterness and a sense of doom, and sometimes sarcasm; “And you are beautiful without gyrations”- with humor or irony. Poetic lines that contain frank antithesis. took on a life of their own and people stopped associating directly with Pasternak’s poem. Well, this situation can be corrected by understanding what the author actually wrote about and what lay at the heart of his work.

The writer's biography shows that the poem “Loving others is a heavy cross”. dated 1931, had its addressees and more than specific life plot. The first line of the poem expresses the whole severity of life with the poet’s first wife, artist Evgenia Lurie, who was once passionately loved by him, who was engaged in creativity around the clock and did not touch everyday life at all. As a result, the poet was forced to master the skills of a housewife and completely lost interest in the prospect of indulging the whims of a “bohemian” wife.

The second line of the poem should be taken almost literally. It was dedicated to the poet’s new muse, which was radically different from its predecessor. At the time of her meeting with Brice Pasternak, she was married to his friend, pianist Heinrich Neuhaus, but, involuntarily breaking with conventions, she completely charmed the poet with her spontaneity and naivety. Apparently, in contrast to Evgenia, his wife, Zinaida Neuhaus significantly benefited with her down-to-earthness and lack of "convolutions". Under this metaphor the poet implies both the simplicity of the character of his new muse and a lack of intelligence (a special case when this is perceived as a virtue).

Interest in Zinaida, with whom the poet married after a divorce, subsequently justified itself, since Pasternak lived together with his second wife for many more years in spiritual and domestic comfort. “Strange, mysterious,” someone will say. And he will be right. Even for the poet himself, the “charm” of his wife was “It’s tantamount to the solution to life”. That is, incomprehensible, and therefore, probably, interesting.

Dear to the poet's heart "rustle of dreams". And "rustle of news and truths". of which, thanks to his wife, his serene family life consists. Obviously, metaphor"rustle of news and truths" means talking about simple and understandable, and therefore real things that the poet accepts with all his heart. A "rustle of dreams" can mean both frequent discussion of dreams and light and happy days that are similar to a dream. This assumption is confirmed by the phrase: “Your meaning, like air, is selfless”. - in which there is a characteristic comparison - "like air". This is how the lyrical hero of the poem sees his beloved. But Pasternak also notices the sources of such an easy disposition and attitude to life: “You are from a family of such fundamentals,” and this evokes his undeniable approval. Surprisingly, an intelligent and intellectual person, in whose head there is a constant creative process, it is pleasant...

It's easy to wake up and see clearly,
Shake out the verbal trash from the heart
And live without getting clogged in the future,

Without clogging? ... What does the poet mean? Perhaps, not just verbal rubbish, but the rubbish of a long and painful showdown. He contrasts them with the families of other “foundations” and summarizes: “All this is not a big trick” .

A simple but melodious poem, consisting of 3 stanzas, is easily remembered by the reader thanks to the use of iambic tetrameter(two-syllable foot with stress on the second syllable) and cross rhyme .

Pasternak, having discovered noticeable confusion and misunderstanding of his poems in his new lover, made a promise that he would write poems especially for Zinaida in a simpler and more understandable language. The work “Loving Others is a Heavy Cross” may well be confirmation that the poet sought to be understood by his wife and, most likely, achieved his goal.

Poetic analysis "Loving others is a heavy cross"

This poem was written in 1931. The creative period since 1930 can be called special: it was then that the poet glorified love as a state of inspiration and flight, and came to a new understanding of the essence and meaning of life. Suddenly he begins to understand earthly feeling differently in its existential, philosophical meaning. An analysis of the poem “Loving others is a heavy cross” is presented in this article.

History of creation

The lyrical work can be called a revelation, since in it Boris Pasternak captured the difficult relationships with two significant women in his life - Evgenia Lurie and Zinaida Neuhauz. The first lady was his wife at the very beginning of his literary career, and the poet met the second much later. Evgenia was in approximately the same circle as the poet; he knew how she lived and breathed. This woman understood art, and literature in particular.

Zinaida, on the other hand, was a person far from bohemian life; she coped well with the daily duties of a housewife. But for some reason, at some point, it was the simple woman who turned out to be more understandable and closer to the poet’s refined soul. Nobody knows why this happened, but after a short time Zinaida became the wife of Boris Pasternak. The poetic analysis “Loving others is a heavy cross” emphasizes the depth and strain of these difficult relationships with two women. The poet involuntarily compares them and analyzes his own feelings. These are the individual conclusions Pasternak comes to.

“Loving others is a heavy cross”: analysis

Perhaps this poem can be considered one of the most mysterious poetic creations. The semantic load in this lyrical work is very strong; it takes the breath away and excites the soul of true aesthetes. Boris Pasternak himself (“Loving others is a heavy cross”) called the analysis of one’s own feelings the greatest mystery that cannot be solved. And in this poem he wants to understand the essence of life and its integral component - love for a woman. The poet was convinced that the state of falling in love changes everything inside a person: significant changes occur in him, the ability to think, analyze, and act in a certain way is revised.

The lyrical hero feels a sense of reverence for a woman, he is determined to act for the benefit of the development of a great and bright feeling. All doubts recede and fade into the background. He is so amazed by the greatness and beauty of the state of integrity that has revealed itself to him that he experiences delight and rapture, the impossibility of living further without this feeling. The analysis of “Loving others is a heavy cross” reveals the transformation of the poet’s experiences.

The state of the lyrical hero

In the center is the one who experiences all the transformations most directly. The internal state of the lyrical hero changes with each new line. His previous understanding of the essence of life is replaced by a completely new understanding and acquires a shade of existential meaning. What does the lyrical hero feel? He suddenly found a safe haven, a person who could love him selflessly. In this case, the lack of education and the ability for high thoughts is perceived by him as a gift and grace, as evidenced by the line: “And you are beautiful without convolutions.”

The lyrical hero is ready to devote himself to unraveling the mystery of his beloved until the end of his days, which is why he compares it with the mystery of life. An urgent need for change awakens in him; he needs to free himself from the burden of previous disappointments and defeats. The analysis of “Loving others is a heavy cross” shows the reader how deep and significant changes took place in the poet.

Symbols and meanings

This poem uses metaphors that would seem incomprehensible to the average person. To show the full power of the ongoing rebirth in the hero’s soul, Pasternak puts certain meanings into words.

“The rustle of dreams” personifies the mystery and incomprehensibility of life. This is something truly elusive and piercing, which cannot be comprehended only by reason. It is also necessary to connect the energy of the heart.

“The rustle of news and truths” denotes the movement of life, regardless of external manifestations, shocks and events. No matter what happens in the outside world, life amazingly continues its inexorable movement. Against all odds. Contrary to that.

“Verbal litter” symbolizes negative emotions, experiences of the past, accumulated grievances. The lyrical hero speaks about the possibility of renewal, about the need for such a transformation for oneself. The analysis “Loving others is a heavy cross” emphasizes the importance and need for renewal. Love here becomes a philosophical concept.

Instead of a conclusion

The poem leaves pleasant feelings after reading. I would like to remember it for a long time and the meaning that it contains. For Boris Leonidovich, these lines are a revelation and an open secret of the transformation of the soul, and for readers - another reason to think about their own life and its new possibilities. The analysis of Pasternak’s poem “Loving others is a heavy cross” represents a very deep disclosure of the essence and meaning of human existence in the context of a single human existence.

Listen to Pasternak's poem Loving others is a heavy cross

Topics of adjacent essays

Picture for the essay analysis of the poem Loving others is a heavy cross

And you are beautiful without gyrations,

And your beauty is a secret

It is tantamount to the solution to life.

In spring the rustling of dreams is heard

And the rustle of news and truths.

You come from a family of such fundamentals.

It's easy to wake up and see clearly,

Shake out the verbal trash from the heart

And live without getting clogged in the future,

All this is not a big trick.

Analysis: Already in the first lines of the poem the main idea of the work is stated. The lyrical hero singles out his beloved, believing that the beauty of this woman is in simplicity. But at the same time, the heroine is idealized. It is impossible to understand and unravel it, therefore “the charms of its secret are tantamount to the solution to life.” The poem is a confession of a lyrical hero who can no longer imagine his life without his beloved.
In this work, the author touches only on the theme of love. He does not address other problems. But, despite this, the deep philosophical meaning of this poem should be noted. Love, according to the lyrical hero, lies in simplicity and lightness:
In spring the rustling of dreams is heard
And the rustle of news and truths.
You come from a family of such fundamentals.
Your meaning, like air, is selfless.
The beloved of the lyrical hero is part of the force that is called truth. The hero is well aware that one can very easily get away from this all-consuming feeling. You can wake up one day, as if after a long sleep, and no longer plunge into such a state:
It's easy to wake up and see clearly,
Shake the verbal rubbish out of your heart.
And live without getting clogged in the future,
All this is a little trick.
But, as we see, the hero does not accept such a deviation from his feelings.
The poem is written in iambic bimeter, which gives the work greater melody and helps subordinate it to the main idea. The love in this poem is as light as its meter.
Pasternak turns to metaphors, which he often uses in his text: “the delights of a secret,” “the rustle of dreams,” “the rustle of news and truths,” “shake verbal dirt out of the heart.” In my opinion, these paths give this amazing feeling great mystery, inconsistency and, at the same time, some kind of elusive charm.
In the poem, the poet also resorts to inversion, which, to some extent, complicates the movement of thought of the lyrical hero. However, this technique does not deprive the work of lightness and some airiness.
The poet conveys the feelings and experiences of the lyrical hero with the help of sound recording. Thus, the poem is dominated by hissing and whistling sounds - “s” and “sh”. These sounds, in my opinion, give this amazing feeling greater intimacy. I think these sounds create the feeling of a whisper.
Pasternak considers the state of love to be the most valuable thing a person has, because only in love do people show their best qualities. “Loving others is a heavy cross...” is a hymn to love, its purity and beauty, its irreplaceability and inexplicability. It must be said that until the last days it was precisely this feeling that made B.L. Pasternak strong and invulnerable, despite all the difficulties of life.
For the poet, the concepts of “woman” and “nature” are fused together. Love for a woman is so strong that the lyrical hero begins to feel subconsciously dependent on this emotion. He does not imagine himself outside of love.
Despite the fact that the poem is very small in volume, it is nevertheless very capacious in ideological and philosophical terms. This work attracts with its lightness and simplicity of the truths hidden in it. I think this is where Pasternak’s talent manifests itself, who knew how to find the truth in sometimes difficult situations, which is perceived very easily and naturally.
The poem “Loving others is a heavy cross...” became, in my opinion, the key work about love in Pasternak’s work. To a large extent, it became a symbol of the poet’s work.

Size – 4 iambics

PINES

In the grass, among the wild balsams,

Daisies and forest baths,

We lie with our arms thrown back

And raised my head to the sky.

Grass on a pine clearing

Impenetrable and dense.

We'll look at each other again

We change poses and places.

And so, immortal for a while,

We are numbered among the pine trees

And from diseases, epidemics

And death is freed.

With deliberate monotony,

Like an ointment, thick blue

Lies bunnies on the ground

And gets our sleeves dirty.

We share the rest of the red forest,

Under the creeping goosebumps

Pine sleeping pills mixture

Lemon with incense breathing.

And so frantic on blue

Running fire trunks,

And we won’t take our hands off for so long

From under broken heads,

And so much breadth in the gaze,

And everyone is so submissive from the outside,

That somewhere behind the trunks there is a sea

I see it all the time.

There are waves above these branches

And, falling off the boulder,

Shrimp rain down

From the troubled bottom.

And in the evenings behind a tug

Dawn stretches on the traffic jams

And leaks fish oil

And the hazy haze of amber.

It gets dark, and gradually

The moon buries all traces

Under the white magic of foam

And the black magic of water.

And the waves are getting louder and higher,

And the audience is on the float

Crowds around a post with a poster,

Indistinguishable from a distance.

Analysis:

The poem “Pines” can be categorized according to genre landscape-reflection. Reflection on eternal concepts - time, life and death, the essence of all things, the mysterious process of creativity. Considering that during this period the destructive wave of the Second World War was rolling across Europe at full speed, these poems sound especially heartfelt, like an alarm bell. What should a poet do in such terrible times? What role can he play? Pasternak, being a philosopher, painfully sought the answer to these questions. All of his work, especially the late period, suggests that the poet is trying to remind humanity of beautiful and eternal things, to return to the path of wisdom. Creative people always see beauty, even in ugly things and events. Isn't this the main calling of an artist?

The simplicity with which “Pines” was written, the prosaism, the description of the most ordinary landscape - all this borders on the sacred, evokes an inexplicably painful feeling of love for the homeland, real, hardwired into the subconscious at the genetic level. Iambic tetrameter with pyrrhic The poet chose the size subconsciously; I don’t want to believe in other reasons for this choice. There is something pagan, eternal in the way these verses sound. It is impossible to remove or rearrange the words; they are woven into a single wreath. Everything is natural and irreplaceable, just like Mother Nature. The heroes ran away from the bustle, civilization, murder and grief. They merged with nature. Are they asking Mother for protection? We are all children of a huge planet, beautiful and wise.

Size – 4 iambics

FROST

The silent time of leaf fall,

The last geese are shoals.

No need to get upset:

Fear has big eyes.

Let the wind cosset the rowan tree,

Scares her before bed.

The order of creation is deceptive,

Like a fairy tale with a good ending.

Tomorrow you will wake up from hibernation

And, going out onto the winter surface,

Again around the corner of the water pump

You will stand rooted to the spot.

Again these white flies,

And the roofs, and the Christmas grandfather,

And the pipes and the lop-eared forest

Dressed as a jester in masquerade.

Everything became icy in a big way

In a hat right up to the eyebrows

And a sneaking wolverine

The path dives into a ravine.

Here is a frost-vaulted tower,

Lattice panel on the doors.

Behind a thick snow curtain

Some kind of gatehouse wall,

The road and the edge of the copse,

And a new thicket is visible.

Solemn calm

Framed in carving

Looks like a quatrain

About the sleeping princess in the coffin.

And the white dead kingdom,

To the one who mentally made me tremble,

I quietly whisper: "Thank you,

You give more than they ask."

Analysis: Aesthetics and poetics of B.L.’s lyrics Pasternak, the most extraordinary and complex poet of the twentieth century, is based on the interpenetration of individual phenomena, on the merging of everything sensual.

In a poem "Frost" this is expressed so strongly that it is difficult to understand who the author is telling us about. Does he depict a landscape or paint a person?

Dead leaf fall time
The last geese are shoals.
No need to get upset:
Fear has big eyes.

In fact, lyrical hero inseparable from nature, there are no barriers between them.

The tangled labyrinth of Pasternak’s metaphorical nature seems to grow in “Rime” from line to line. landscape space becomes larger, from one emotion - “no need to be upset”, caused by natural decay, increases to the whole world "and the white dead kingdom".

The poem “Rime” is written not in the first person, but also not in the third, and this is not a paradox, but a filigree mastery.

The endless life of nature freezes in momentary constraint. Frost, a fragile crust of ice, seems to force existence to slow down, which gives the soul of the lyrical hero the opportunity to open up to nature, to dissolve in it.

Main motive works - the motive of the road.

And the more dynamically it moves lyrical plot, the further the hero rushes to understand the complex and multifaceted world, the slower time moves, bewitched by frost. The road here is not a linear path forward, but a wheel of life, "order of creation", in which winter replaces autumn.

The fabulousness and enchantment of natural existence is created through a difficult associative series:

Looks like a quatrain
About the sleeping princess in the coffin

Pushkin motives are not accidental here, because the poem “Rime” is a striving for truth and beauty, which forms the basis of spiritual existence, and Pushkin’s lyrics are harmonious with the elements of the word, fascinating in their simplicity. In general, the poem is full of references to Russian classical lyrics. You can also see the forest, which looks like a fairytale tower. But behind Pasternak’s fairy tale lies life, such as it is.

Images of death, filling the poetic space of the last lines, do not create a feeling of doom, although notes indicating mental pain creep into the narrative. But nevertheless, here these motives indicate that consciousness is rising to a different, higher level. And like dissonance "dead kingdom" The life-affirming lines of the finale sound:

I quietly whisper: “Thank you”

Their solemnity unites Pasternak's broken syntax into a harmonious artistic structure.

The title of the poem “Rime” is significant. This natural phenomenon B.L. Pasternak attached importance to the transition from one state to another, the path that the lyrical hero makes, he overcomes through a breakdown, and frost is also a fractured stage between autumn and winter, testifying to the whirlwind of life, unstoppable in its forward striving.

Size – 3 amphibrachs

JULY

A ghost is wandering around the house.

Steps overhead all day.

Shadows flicker in the attic.

A brownie is wandering around the house.

Hanging out inappropriately everywhere,

Gets in the way of everything,

In a robe he creeps towards the bed,

He tears the tablecloth off the table.

Don’t wipe your feet at the threshold,

Runs in a whirlwind draft

And with a curtain, like with a dancer,

Soars to the ceiling.

Who is this spoiled ignorant

And this ghost and double?

Yes, this is our visiting tenant,

Our summer summer vacationer.

For all his short rest

We rent out the whole house to him.

July with thunderstorm, July air

He rented rooms from us.

July, dragging around in clothes

Dandelion fluff, burdock,

July, coming home through the windows,

All loudly speaking out loud.

Uncombed steppe disheveled,

Smelling of linden and grass,

Tops and the smell of dill,

The July air is meadow.

Analysis: The work “July”, written by the poet in the summer of 1956 while relaxing at his dacha in Peredelkino, is written in a similar vein. From the first lines, the poet intrigues the reader, describing phenomena from the other world and claiming that “a brownie wanders around the house,” who sticks his nose into everything, “rips the tablecloth off the table,” “runs in in a whirlwind of a draft,” and dances with the window curtain. However, in the second part of the poem, the poet reveals his cards and notes that the culprit of all mischief is July - the hottest and most unpredictable summer month.

Despite the fact that there is no more intrigue, Pasternak continues to identify July with a living being, which is characteristic of an ordinary person. So, in the author’s perception, July is a “summer vacationer” to whom a whole house is rented, where he, and not the poet, is now the full owner. Therefore, the guest behaves accordingly, plays pranks and scares the inhabitants of the mansion with incomprehensible sounds in the attic, slamming doors and windows, hangs “dandelion fluff, burdock” on his clothes and at the same time does not consider it necessary to observe at least some decency. The poet compares July with an unkempt, disheveled steppe who can indulge in the most stupid and unpredictable antics. But at the same time it fills the house with the smell of linden, dill and meadow herbs. The poet notes that the uninvited guest who burst into his house like a whirlwind very soon becomes sweet and welcome. The only pity is that his visit is short-lived, and July will soon be replaced by the August heat - the first sign of the approaching autumn.

Pasternak is not at all embarrassed by such proximity. Moreover, the poet speaks of his guest with slight irony and tenderness, behind which lies a genuine love for this time of year, filled with joy and serene happiness. Nature seems to encourage one to put aside all important matters for a while and join the naughty June in his harmless amusements.

Size – 4 iambics

Sergei Alexandrovich Yesenin

Imagism was part of the literary movement.

the reason for coming to imagism. the desire to find a solution to the most important conflict of life: the revolution that Yesenin dreamed of and to which he devoted his art was increasingly disturbed by the frenzied glow of corpses. imagism stood outside politics. in 1924, the poem “Song of the Great March” was published, which mentioned party leaders Trotsky and Zinoviev.

main themes in creativity:

1. theme of homeland and nature;

2. love lyrics;

3. poet and poetry

the theme of the homeland is one of the broad themes in the poet’s work: from patriarchal (peasant) Rus' to Soviet Russia.

Goy, Rus', my dear,

Huts - in the robes of the image...

No end in sight -

Only blue sucks his eyes.

Like a visiting pilgrim,

I'm looking at your fields.

And at the low outskirts

The poplars are dying loudly.

Smells like apple and honey

Through the churches, your meek Savior.

And it buzzes behind the bush

There is a merry dance in the meadows.

I'll run along the crumpled stitch

Free green forests,

Towards me, like earrings,

A girl's laughter will ring out.

If the holy army shouts:

"Throw away Rus', live in paradise!"

I will say: "There is no need for heaven,

Give me my homeland."

Analysis:

early poem. 1914

Yesenin's image of the homeland is always associated with images of nature. This technique is called psychological parallelism

In this poem, the poet glorifies the patriarchal principles in the life of the village, “huts in the robes of the image,” “Through the churches, your meek Savior.”

in the poem one can hear sadness over the passing patriarchy. and this once again proves the boundless love for one’s land.

the poet renounces paradise, accepting any homeland.

Yesenin admires the discreet beauty of nature “the poplars are withering away”

in his early poetry, the poet is pleased with everything that he notices in nature.

the poem is similar to a folk song. epic motifs.

visual and expressive means:

metaphor, “blue sucks the eyes,” which expands the space of the verse.

comparison,

antithesis

History of creation

“Loving others is a heavy cross”: analysis

The state of the lyrical hero

Symbols and meanings

This poem uses metaphors that would seem incomprehensible to the average person. To show the full power of the ongoing rebirth in the hero’s soul, Pasternak puts certain meanings into words.

Instead of a conclusion

The work of B. L. Pasternak “Loving others is a heavy cross...”, written in 1931, is addressed to Z. N. Neuhaus, the poet’s second wife. In his beloved, he valued simplicity of character, sincerity and selflessness. According to B. L. Pasternak, a woman does not have to be erudite and educated, the main thing is to be a caring and attentive housewife. This is what he expressed in his poem.

The first line refers to E.V. Lurie - the first wife of B. L. Pasternak. She was an artist, moving in creative circles, had a keen sense of the world around her and understood the poet. However, she was quick-tempered, capricious and did not know how to run a household. Because of this, the extremely difficult relationship between the spouses ended in divorce.

“To love others...” is written in iambic tetrameter with cross rhyme. The poem includes three quatrains, each of which begins with an inversion. The work is an appeal of the lyrical hero to his beloved woman. To convey the depth of the hero’s feelings for his beloved, the author uses unusual metaphors. The expression “the rustle of dreams” speaks of the mystery of life. “The rustle of news and truths” is a uniform flow of life, which is not influenced by external events and shocks. “Verbal litter” is a symbol of negative feelings and emotions.

By using an abundance of hissing sounds in the text, the author obtains a sound signature. As a result, when reading, the lines sound like a whisper. There is parallelism in the first and last lines, emphasizing the completeness of the poem.

The speech in the work is simple and unpretentious. At the beginning of her love relationship with B. L. Pasternak, Z. N. Neuhaus said that she did not understand his poems. Then he promised his beloved that he would write his poems so that she could understand them. This work by the author is confirmation that he kept his promise.

Pasternak, you are beautiful without crinkling. Analysis of the poem “To love others is a heavy cross” by Pasternak

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“Loving others is a heavy cross...” B. Pasternak

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