Биография Пабло Пикассо на английском языке. Biography of Pablo Picasso

Pablo Picasso (25.10.1881 - 08.04.1973) - Spanish painter.

Pablo Picasso was an outstanding artist, sculptor, poet and simply one of the greatest figures of the 20th century. Moreover, he was the co-founder of Cubism. Picasso was born on October 25th, 1881, in Malaga, Spain. As a child he was given his father’s surname Blasco, but when he was fourteen he chose to have his mother’s surname - Picasso. His father was an art teacher, while his mother was a housewife. Some biographers believe that Picasso started drawing before he even knew how to speak. When he was ten, they had to move to the north, because his father was offered a job in the School of Art in La Coruna.

In 1985, Picasso enrolled in the School of Fine Arts in Barcelona. He was only fourteen at that time. That’s why the teachers didn’t want to accept him. However, when they saw his incredible talent, they agreed. Two years later he moved to Madrid to study at the Royal School of Fine Arts. His career as an artist began in Barcelona. He met lots of other talented people there and began to attend the “Els Quatre Gats”. It was a place where famous artists, musicians, poets of that time spent their free time. His first exhibition took place in 1900. The same year he went to Paris, where he visited the impressionist exhibitions.

After this trip he felt the burst of extraordinary creativity and began drawing a series of pictures in blue tones. In 1904, he moved to Paris and settled in Bateau Lavoir. There he met many famous and talented people, including Fernande Olivier, Gertrude Stein, Henri Matisse. Gradually, the depressive motifs in his paintings were replaced by cheerful images of circus and theater. He began to favor gold and pink tones in his pictures. These two periods of his life are known as the Blue and Rose Periods. After experiments with colors the painter turned to the analysis of figures and shapes. This is when he develops cubism in his works.

Picasso’s personal life greatly influenced his works. After the unsuccessful marriage with Russian ballet dancer he began drawing a gloomy surreal world filled with monsters and shapeless creatures. In 1927 he met Marie-Therese Walter and his art dramatically changed. Her natural beauty inspired him to create a series of sculptures in the nude. With Marie-Therese they had a daughter Maya. Picasso had several other mistresses during his life, but his legal wife was Olga Khokhlova. One of his best works was dedicated to the civil war. It was a huge painting “Guernica” (1937), which was full of horror and sadness. One of the most influential artists of all times died 1973 at the age of 91.

Pablo Picasso was one of the greatest artists of the 20th century. He experimented in many different styles and changed the world of art during his time.

Early life

Pablo Picasso was born in Malaga, Spain in 1881. His father was a drawing teacher. At 10 Pablo became his father’s pupil and at the age of 13 he held his first exhibition.

His family moved to Barcelona in 1895 where Pablo joined an art academy. In his early period the young artist painted life as he observed it around him – in cafes and on the streets. As a young man he took interest in masterpieces of famous artists like El Greco and de Goya.

At the turn of the century, Picasso went to Paris, which was, at that time, the centre of art and literature.

Blue and Rose period

In 1901 a close friend of Picasso shot himself. This had a great impact on Pablo. He was very sad and began painting his pictures in grey and blue tones instead of bright, vivid colours. This part of his career is called his Blue Period.

Later on, he changed his painting style and started using more earth colours – rose, pink or brown. He liked to paint pictures of circus life with dancers and acrobats. This rose period lasted until 1907.

When Picasso started working with his friend and fellow painter Georges Braque in Paris they started experimenting with a new style that was called cubism.

Picasso and Braque didn’t want to show nature as it really was. They thought that all objects in nature had geometric forms. In cubism, objects were cut into many flat shapes, which looked like a puzzle. All the sides of a person’s face, for example, were shown at once, maybe even with three eyes instead of two. Cubist painters wanted to show all parts of an object from one angle.

Picasso and Braque also experimented with other materials, like cloth and newspaper clippings, which they glued onto the canvas. This technique became later known as collage.

Classicism

In 1917 Picasso went to Rome to design costumes and scenery for a Russian ballet company. During this period he fell back to classical forms and painting techniques but never gave up experimenting with cubism.

Civil War

In 1936 Civil War broke out in Spain. During this period he painted his masterpiece Guernica. It shows the terrified people of the ancient Spanish town which was bombed during the Civil War. Picasso was shocked by this inhuman act and in his painting he shows people running in the streets and screaming with their mouths wide open. To display his sadness and anger he used only black and white as well as shades of grey.

During World War II Picasso lived in Paris which, at that time, was under Nazi occupation. The Nazis didn’t like his modern paintings and Picasso had to hide them in a secret vault in the Bank of France.

Later life

After the war Picasso moved to a big house in the southern part of France. There, he continued experimenting with paintings and sculptures.

He continued his work up to his death in 1973. Picasso was known as a very moody person and he also displayed this in his paintings. Sometimes he was thoughtful, even sad, and at other times he could be very humorous. Picasso was never satisfied with his own work and he never stopped experimenting. For his great imagination and skill he is called “El Maestro” of modern art.

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Pablo Picasso was one of the greatest artists of the 20lh century. He experimented in many different styles and changed the world of art during his time.

Pablo Picasso was born in Malaga, Spain in 1881. His father was a drawing teacher. At 10 Pablo became his father"s pupil and at the age of 13 he held his first exhibition. His family moved to Barcelona in 1895 where Pablo joined an art academy. In his early period the young artist painted life as he saw it around him - in cafes and on the streets. Then they moved to Paris, the centre of art and literature.

In 1901 a close friend of Picasso shot himself. This had a great influence on Pablo. He was very sad and began painting his pictures in grey and blue tones instead of bright, vivid colours. This part of his career is called his Blue Period (1901-1904).

Later on, he changed his painting style and started using more earth colours - rose, pink or brown. He liked to paint pictures of circus life with dancers and acrobats. This Rose Period lasted until 1907.

When Picasso started working with his friend and fellow painter Georges Braque in Paris they started experimenting with a new style that was called cubism. Picasso and Braque didn"t want to show nature as it really was. They thought that all objects in nature had geometric forms. In cubism, objects were cut into many flat shapes, which looked like a puzzle. All the sides of a person"s face, for example, were shown at once, maybe even with three eyes instead of two.

He continued his work up to his death in 1973. For his great imagination and skill he is called "El Maestro" of modern art.

2. The most famous painting of Picasso is Guernica. Read aloud the extract about it.

3. Where did Picasso learn to paint?

4. Picasso worked in different styles. Which styles are mentioned in the article? What are their typical characteristics?

Перевод текста № 26 PABLO PICASSO к экзамену по английскому языку

Пабло Пикассо

Павло Пикассо был одним из величайших художников 20 века. Он эсперементировал во многих разных стилях и изменил мир искусства того времени.

Павло Пикассо родился в Малаге, Испания в 1881 отец его был учителям рисования. В 10лет он стал учеником своего отца а в 13лет он провел свою первую выставку его семья переехала в Барселону в 1895 где Павло поступил в академию искусств. В ранний период молодой художник рисовал жизнь так как он видел ее вокруг себя - в кафе и на улицах. Затем они переехали в Париж, в центр искусства и литературы.

В 1901 году его близкий друг застрелился. Это произвело огромное влияние на Пабло. Он стал очень грустным и начал рисовать свои картины в серых и голубых тонах вместо ярких жизненных цветов. Это часть его карьеры называется его голубым периодом (1901-1904).

Позже он поменял свой стиль рисования и стал использовать более земные цвета-розовые жизнерадостные или коричневые. Ему нравилось рисовать картины цирковой жизни с танцорами или акробатами. Этот розовый период длился до 1907.

Когда Пикассо начал работать со своим другом и товарищем Георгием Брейк в Париже они стали экспериментировать в новом стиле который назывался кубизм. Пикассо Брейк не хотели показывать природу в реальном мире. Они считали, что все в природе имеет геометрическую форму. В кубизме предметы резались на многие плоские кусочки, которые выглядели как пазл. Все части человеческого лица например показывались одновременно, возможно даже с тремя глазами.

В 1936 году в Испании началась Гражданская Война в этот свой период он нарисовал. В этот свой период свой шедевр Герника. Он показывает запуганных людей древнего Испанского города который бомбили во время Гражданской войны. Пикассо был шокирован этим антигуманным действием и в своей картине он показал людей бегущих по улицам широко открытыми ртами. Чтобы показать свою печаль и злость он использовал только черные и белые цвета а также серые оттенки серого.

Он продолжал эту работу до своей смерти 1973 году. За его великое воображение и мастерство его называют «маэстро» современно искусства.

Ответы на вопросы к тексту № 26 PABLO PICASSO к экзамену по английскому языку

1.This text is about one of the greatest artist of the 20th century, Pablo Picasso. He experimented in many different styles and changed the world of art during his time.His career had some periods.Some facts of his life had a great influence on those periods.

2. (6 абзац.) In 1936 Civil War broke out in Spain. During this period he painted his masterpiece Guernica. It shows the terrified people of the ancient Spanish town which was bombed during the Civil War. Picasso was shocked by this inhuman act and in his painting he shows people running in the streets and screaming with their mouths wide open. To display his sadness and anger he used only black and white as well as shades of grey.

3.Picasso learned to paint from his father and thenin Barcelona in art academy.

4. One of his style was his Blue Period, then his Rose Period and cubism. In his Blue Period he painted in gray and blue tones, in his Rose Period he painted in rose, pink and brown, in the period which was called cubism he didn’t show nature as it really was.

Второй вариант ответов

Ответ на вопрос 1. Read the article and say in 2-3 sentences what it is about. This text is about one of the greatest artist of the 20th century, Pablo Picasso. He experimented in many different styles and changed the world of art during his time. His career had some periods. Some facts of his life had a great influence on those periods.

Ответ на вопрос 2. The most famous painting of Picasso is Guernica. Read aloud the extract about it. (6 абзац) In 1936 Civil War broke out in Spain. During this period he painted his masterpiece Guernica. It shows the terrified people of the ancient Spanish town which was bombed during the Civil War. Picasso was shocked by this inhuman act and in his painting he shows people running in the streets and screaming with their mouths wide open. To display his sadness and anger he used only black and white as well as shades of grey.

Ответ на вопрос 3. Where did Picasso learn to paint? Picasso learned to paint from his father and then in Barcelona in art academy.

Ответ на вопрос 4. Picasso worked in different styles. Which styles are mentioned in the article? What are their typical characteristics? One of his styles was his Blue Period, then his Rose Period and cubism. In his Blue Period he painted in gray and blue tones, in his Rose Period he painted in rose, pink and brown, in the period which was called cubism he didn’t show nature as it really was.

Pablo Picasso Essay, Research Paper

Pablo Picasso was a Spanish painter and sculptor, generally considered the greatest artist of the 20th century. He was unique as an inventor of forms, as an innovator of styles and techniques, as a master of various media, and as one of the most prolific artists in history. He created more than 20,000 works of art.

Born in M laga on October 25, 1881, Picasso was the son of Jos Ruiz Blasco, an art teacher, and Mar a Picasso y Lopez. Until 1898 he always used his father’s name, Ruiz, and his mother’s maiden name, Picasso, to sign his pictures. After about 1901 he dropped Ruiz and used his mother’s maiden name to sign his pictures. Picasso’s genius manifested itself early: at the age of 10 he made his first paintings, and at 15 he performed brilliantly on the entrance examinations to Barcelona’s School of Fine Arts. His large academic canvas Science and Charity (1897, Picasso Museum, Barcelona), depicting a doctor, a nun, and a child at a sick woman’s bedside, won a gold medal.

Between 1900 and 1902, Picasso made three trips to Paris, finally settling there in 1904. He found the city’s bohemian street life fascinating, and his pictures of people in dance halls and caf s show how he assimilated the postimpressionism of the French painter Paul Gauguin and the symbolist painters called the Nabis. The themes of the French painters Edgar Degas and Henri de Toulouse-Lautrec, as well as the style of the latter, exerted the strongest influence. Picasso’s Blue Room (1901, Phillips Collection, Washington, D.C.) reflects the work of both these painters and, at the same time, shows his evolution toward the Blue Period, so called because various shades of blue dominated his work for the next few years. Expressing human misery, the paintings portray blind figures, beggars, alcoholics, and prostitutes, their somewhat elongated bodies reminiscent of works by the Spanish artist El Greco.

Shortly after settling in Paris in a shabby building known as the Bateau-Lavoir (laundry barge, which it resembled), Picasso met Fernande Olivier, the first of many companions to influence the theme, style, and mood of his work. With this happy relationship, Picasso changed his palette to pinks and reds; the years 1904 and 1905 are thus called the Rose Period. Many of his subjects were drawn from the circus, which he visited several times a week; one such painting is Family of Saltimbanques (1905, National Gallery, Washington, D.C.). In the figure of the harlequin, Picasso represented his alter ego, a practice he repeated in later works as well. Dating from his first decade in Paris are friendships with the poet Max Jacob, the writer Guillaume Apollinaire, the art dealers Ambroise Vollard and Daniel Henry Kahnweiler, and the American expatriate writers Gertrude Stein and her brother Leo, who were his first important patrons; Picasso did portraits of them all.

In the summer of 1906, during Picasso’s stay in G sol, Spain, his work entered a new phase, marked by the influence of Greek, Iberian, and African art. His celebrated portrait of Gertrude Stein (1906, Metropolitan Museum of Art, New York City) reveals a masklike treatment of her face. The key work of this early period, however, is Les demoiselles d’Avignon (1907, Museum of Modern Art, New York City), so radical in style its picture surface resembling fractured glass that it was not even understood by contemporary avant-garde painters and critics. Destroyed were spatial depth and the ideal form of the female nude, which Picasso restructured into harsh, angular planes.

Inspired by the volumetric treatment of form by the French postimpressionist artist Paul C zanne, Picasso and the French artist Georges Braque painted landscapes in 1908 in a style later described by a critic as being made of little cubes, thus leading to the term cubism. Some of their paintings are so similar that it is difficult to tell them apart. Working together between 1908 and 1911, they were concerned with breaking down and analyzing form, and together they developed the first phase of cubism, known as analytic cubism. Monochromatic color schemes were favored in their depictions of radically fragmented motifs, whose several sides were shown simultaneously. Picasso’s favorite subjects were musical instruments, still-life objects, and his friends; one famous portrait is Daniel Henry Kahnweiler (1910, Art Institute of Chicago). In 1912, pasting paper and a piece of oilcloth to the canvas and combining these with painted areas, Picasso created his first collage, Still Life with Chair Caning (Mus e Picasso, Paris). This technique marked a transition to synthetic cubism. This second phase of cubism is more decorative, and color plays a major role, although shapes remain fragmented and flat. Picasso was to practice synthetic cubism throughout his career, but by no means exclusively. Two works of 1915 demonstrate his simultaneous work in different styles: Harlequin (Museum of Modern Art) is a synthetic cubist painting, whereas a drawing of his dealer, Vollard, now in the Metropolitan Museum, is executed in his Ingresque style, so called because of its draftsmanship, emulating that of the 19th-century French neoclassical artist Jean-August-Dominique Ingres.

Picasso created cubist sculptures as well as paintings. The bronze bust Fernande Olivier (also called Head of a Woman, 1909, Museum of Modern Art) shows his consummate skill in handling three-dimensional form. He also made constructions such as Mandolin and Clarinet (1914, Mus e Picasso) from odds and ends of wood, metal, paper, and nonartistic materials, in which he explored the spatial hypotheses of cubist painting. His Glass of Absinthe (1914, Museum of Modern Art), combining a silver sugar strainer with a painted bronze sculpture, anticipates his much later found object creations, such as Baboon and Young (1951, Museum of Modern Art), as well as pop art objects of the 1960s.

During World War I (1914-1918), Picasso went to Rome, working as a designer with Sergey Diaghilev and the Ballets Russes. He met and married the dancer Olga Koklova. In a realist style, Picasso made several portraits of her around 1917, of their son (for example, Paulo as Harlequin;1924, Mus e Picasso), and of numerous friends. In the early 1920s he did tranquil, neoclassical pictures of heavy, sculpturesque figures, an example being Three Women at the Spring (1921, Museum of Modern Art), and works inspired by mythology, such as The Pipes of Pan (1923, Mus e Picasso). At the same time, Picasso also created strange pictures of small-headed bathers and violent convulsive portraits of women which are often taken to indicate the tension he experienced in his marriage. Although he stated he was not a surrealist, many of his pictures have a surreal and disturbing quality, as in Sleeping Woman in Armchair (1927, Private Collection, Brussels) and Seated Bather (1930, Museum of Modern Art).

Several cubist paintings of the early 1930s, stressing harmonious, curvilinear lines and expressing an underlying eroticism, reflect Picasso’s pleasure with his newest love, Marie Th r se Walter, who gave birth to their daughter Ma a in 1935. Marie Th r se, frequently portrayed sleeping, also was the model for the famous Girl Before a Mirror (1932, Museum of Modern Art). In 1935 Picasso made the etching Minotauromachy, a major work combining his minotaur and bullfight themes; in it the disemboweled horse, as well as the bull, prefigure the imagery of Guernica, a mural often called the most important single work of the 20th century.

Picasso was moved to paint the huge mural Guernica shortly after German planes, acting on orders from Spain’s authoritarian leader Francisco Franco, bombarded the Basque town of Guernica on April 26, 1937, during the Spanish Civil War. Completed in less than two months, Guernica was hung in the Spanish Pavilion of the Paris International Exposition of 1937. The painting does not portray the event; rather, Picasso expressed his outrage by employing such imagery as the bull, the dying horse, a fallen warrior, a mother and dead child, a woman trapped in a burning building, another rushing into the scene, and a figure leaning from a window and holding out a lamp. Despite the complexity of its symbolism, and the impossibility of definitive interpretation, Guernica makes an overwhelming impact in its portrayal of the horrors of war. It was on extended loan at New York City’s Museum of Modern Art from 1939 until 1981, when it was returned to Spain at Madrid’s Prado Museum. In 1992 the work was moved to the city’s new museum of 20th-century art, the Centro de Arte Reina Sof a. Dora Maar, Picasso’s next companion to be portrayed, took photographs of Guernica while the work was in progress.

Picasso’s palette grew somber with the onset of World War II (1939-1945), and death is the subject of numerous works, such as Still Life with Steer’s Skull (1942, Kunstsammlung Nordrhein-Westfalen, D sseldorf, Germany) and The Charnel House (1945, Museum of Modern Art). He formed a new liaison during the 1940s with the painter Fran oise Gilot who bore him two children, Claude and Paloma; they appear in many works that recapitulate his earlier styles. The last of Picasso’s companions to be portrayed was Jacqueline Roque, whom he met in 1953 and married in 1961. He then spent much of his time in southern France.

Many of Picasso’s later pictures were based on works by great masters of the past Diego Vel zquez, Gustave Courbet, Eug ne Delacroix, and +douard Manet. In addition to painting, Picasso worked in various media, making hundreds of lithographs in the renowned Paris graphics workshop, Atelier Mourlot. Ceramics also engaged his interest, and in 1947, in Vallauris, he produced nearly 2000 pieces. Picasso made important sculptures during this time: Man with Sheep (1944, Philadelphia Museum of Art), an over-life-size bronze, emanates peace and hope, and She-Goat (1950, Museum of Modern Art), a bronze cast from an assemblage of flowerpots, a wicker basket, and other diverse materials, is humorously charming. In 1964 Picasso completed a welded steel maquette (model) for the 18.3-m (60-ft) sculpture Head of a Woman (unveiled in 1967), for Chicago’s Civic Center. In 1968, during a seven-month period, he created an amazing series of 347 engravings, restating earlier themes: the circus, the bullfight, the theater, and lovemaking.

Throughout Picasso’s lifetime, his work was exhibited on countless occasions. A 1971 exhibition at the Louvre, in Paris, honored him on his 90th birthday. In 1980 a major retrospective showing of his work was held at the Museum of Modern Art in New York City. Picasso died in his villa Notre-Dame-de-Vie near Mougins on April 8, 1973.

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Биография Biography Pablo Ruiz Picasso (Picasso Pablo) (1881-1973), Spanish painter and sculptor, in 1904, residing in France. Picasso - the inventor of new forms of painting, an innovator of styles and techniques, and one of the most prolific artists in history. Picasso created more than 20,000 works. Born in Malaga October 25, 1881. Пабло Руис Пикассо (Picasso Pablo) (1881-1973), испанский художник и скульптор, с 1904 года проживавший во Франции. Пикассо - изобретатель новых форм живописи, новатор стилей и методов, и один из наиболее плодовитых художников в истории. Пикассо создал более чем 20 тысяч работ. Родился в Малаге 25 октября 1881 года.

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Пабло рано проявил талант к рисованию. Уже с 7 лет он учился у своего отца технике рисования, который сначала поручал ему дописывать лапки голубей на своих картинах. Но однажды, доверив тринадцатилетнему Пабло дописать довольно большой натюрморт, он был настолько поражен техникой сына, что, по легенде, сам бросил заниматься живописью. Pablo showed early talent for drawing. Since 7 years he studied with his father"s technique of drawing, which was initially commissioned him to finish writing the feet of pigeons in his paintings. But one day, entrusting thirteen Pablo finish pretty big still life, he was so struck by the technique of his son that, according to legend, he gave up painting.

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Голубь мира Dove of peace С 20 по 25 апреля 1949 года проходил I Всемирный конгресс сторонников мира в Париже и Праге. Эмблему конгресса нарисовал испанский художник с французским гражданством Пабло Пикассо. В 1950 году Пикассо был избран во Всемирный совет мира и награждён Международной премией мира, в СССР ему дважды вручали Ленинскую премию. From 20 to 25 April 1949 I passed the World Peace Congress in Paris and Prague. Emblem of the Congress drew a Spanish painter with French citizenship by Pablo Picasso. In 1950, Picasso was elected to the World Peace Council and was awarded the International Peace Prize, the USSR, he was twice awarded the Lenin Prize.

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Голубой период Blue Period На годы поездок между Парижем и Барселоной (1901-04) приходится так называемый «голубой период»: в палитре мастера преобладают голубые оттенки. Для картин этого периода характерны образы нищеты, меланхолии и печали; движения людей замедленны, они словно вслушиваются в себя («Любительница абсента», 1901; «Свидание», 1902, обе в Эрмитаже; «Старый нищий старик с мальчиком», 1903, Музей изобразительных искусств, Москва) For years, traveling between Paris and Barcelona (1901-04) have so-called "blue period": the master of the palette is dominated by shades of blue. For paintings of this period is characterized by images of poverty, sadness and melancholy; flow of people slowed, they seemed to listen to how you ("The Absinthe Drinker, 1901," Date ", 1902, both in the Hermitage, the Old old beggar with a boy", 1903, the Museum Fine Arts, Moscow).

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Розовый период Pink period In the next period, known as "pink", there are scenes of friendship, admiring the beauty of the naked body. The product of the transition period - from the "blue" to "pink" - "Girl on the ball" (1905, Museum of Fine Arts, Moscow “Boy with a horse” "Girl on the ball"

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Неоклассицизм Neoclassicism Весной 1917 года поэт Жан Кокто, сотрудничавший с Сергеем Дягилевым, предложил Пикассо сделать эскизы костюмов и декорации к будущему балету. Художник отправился работать в Рим, где влюбился в одну из танцовщиц Дягилевской труппы - Ольгу Хохлову. Они поженились в 1918 году, а в 1921-м у них родился сын Поль. В это время его полотна очень далеки от кубизма; на них: ясные и понятные формы, светлые тона, правильные лица. Самая выразительная картина этих лет - "Портрет Ольги в кресле" (1917). Пикассо активно критиковали за смену стиля, как прежде критиковали за кубизм. На эти обвинения он ответил в одном из интервью: "Всякий раз, когда я хочу что-то сказать, я говорю в той манере, в которой, по-моему ощущению это должно быть сказано". Другие картины "реалистического" периода: "Купальщицы" (1918), "Женщины, бегущие по пляжу" (1922), "Детский портрет Поля Пикассо" (1923). In spring 1917 the poet Jean Cocteau, worked with Sergei Diaghilev, Picasso invited to make costumes and scenery to the future of ballet. The artist went to work in Rome, where he fell in love with one of the dancers in Diaghilev - Olga Khokhlova. They married in 1918 and in 1921 they had a son, Paul. At that time, his paintings are very far from cubism; on them: clear and understandable form, light tone, the right person. The most expressive picture of those years - "Portrait of Olga in an armchair" (1917). Picasso actively criticized for changing style, as in the past been criticized for cubism. On those charges, he said in an interview: "Whenever I want to say something, I say in the manner in which, in my sense it must be said." More pictures of "realistic" period: "Bathers" (1918), "Women, running on the beach" (1922), "Portrait of Picasso Fields" (1923). Портрет Ольги

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Сюрреализм Surrealism "Красота будет конвульсивной, или ее не будет" - сказал Андре Бретон, основоположник сюрреализма, течения в искусстве, ставившего своей задачей постижение истинных глубин художественного творчества посредством проникновения в мир снов и бессознательного. В 1925 году Пикассо написал картину "Танец". Агрессивная, болезненная, с деформированными фигурами, она отражает тяжелый период в семейной жизни художника и одновременно провозглашает новый перелом в его творчестве. Пикассо близок к сюрреалистам, но у него всегда свой путь. Работы этого периода: "Купальщица, открывающая кабинку" (1928), "Фигуры на пляже" (1931), "Женщина с цветком"(1932) и др. "Beauty will be convulsive or it will not" - said André Breton, the founder of Surrealism, movements in art, aims to grasp the true depth of artistic creativity through the penetration into the world of dreams and the unconscious. In 1925, Picasso painted the picture "Dance". An aggressive, painful, with deformed shapes, it reflects the difficult period in the artist"s family life and simultaneously declares a new change in his work. Picasso"s close to the surrealist, but it is always his way. The works of this period: "Bather, opening stall" (1928), "Figures on the Beach" (1931), "Woman with Flower" (1932) and others.

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